Who Believes in Angels

Elton John - Who Believes In Angels? (2025)  Music

Posted by Fizzpop at April 3, 2025
Elton John - Who Believes In Angels? (2025)

Elton John - Who Believes In Angels? (2025)
WEB FLAC (Tracks) 297 MB | Cover | 44:09 | MP3 CBR 320 kbps | 102 MB
Pop, Rock | Label: WAB Recording Limited, under exclusive licence to Mercury Records Limited

Who Believes in Angels? is an upcoming collaborative studio album by English musician Elton John and American musician Brandi Carlile. It is set to be released on 4 April 2025, through Interscope Records. The album is produced by Andrew Watt, and was recorded at Sunset Sound Recorders in Los Angeles. The record was announced on 5 February 2025, alongside the release of its title track.
Elton John & Brandi Carlile - Who Believes In Angels? (2025)

Elton John & Brandi Carlile - Who Believes In Angels? (2025)
EAC Rip | FLAC (tracks, cue, log, full scans) - 465 MB | MP3 CBR 320 kbps - 271 MB
44:12 | Rock, Pop | Label: EMI

Written and recorded over 20 days, `Who Believes In Angels?' is a collaborative studio album between Elton John and Brandi Carlile. It mixes Elton-led songs and Brandi-led songs, with long-term collaborator Bernie Taupin and Brandi both contributing lyrics, and producer and co-writer Andrew Watt acting as the producer, mediator and creative conduit. They are backed by a world-class band of musicians comprising of Chad Smith, Pino Palladino and Josh Klinghoffer.

John Martyn - The Island Years (2013) 17 CD Box Set  Music

Posted by Designol at May 24, 2024
John Martyn - The Island Years (2013) 17 CD Box Set

John Martyn - The Island Years (2013) 17 CD Box Set
EAC | FLAC | Image (Cue&Log) ~ 5.98 Gb | Scans ~ 891 Mb
Label: Universal-Island | # 374 228-8 | Time: 19:46:03
Singer/Songwriter, British Folk, Psychedelic, Folk-Rock, Folk Jazz, Guitar Virtuoso

The Island Years is the most exhaustive career retrospective from one of Britain’s most original and enduring singer/songwriters. Housed in an LP size hard-back slip case, this lavish box set including: 17 CDs featuring 12 key studio albums, recorded for Island between 1967 and 1987, now with previously unreleased mixes, Out-Takes, unheard songs and 2 complete, previously unreleased live solo concerts from 1972 and 1977 and the complete demos for The Apprentice, the last album Martyn delivered to Island. A hard-back book featuring a new essay by The Island Years compiler and researcher John Hillarby plus rare and previously unseen photographs and extensive memorabilia.

VA - NOW That's What I Call Music! 120 (2025)  Music

Posted by Rtax at April 4, 2025
VA - NOW That's What I Call Music! 120 (2025)

VA - NOW That's What I Call Music! 120 (2025)
EAC Rip | FLAC (tracks, cue, log) - 979 MB | MP3 CBR 320 kbps - 349 MB
2:24:19 | Pop, Rock | Label: Sony Music

NOW are proud to announce the latest release in the numbered NOW series – NOW That’s What I Call Music 120 – Out April 4th. With 43 fantastic tracks across 2 CDs, NOW 120 brings you a hit-packed line-up including more than 20 Top 20 singles from the recent Sales and Airplay Charts. CD1 kicks off with Gracie Abrams’ first UK #1 That’s So True, followed by the huge collaboration between ROSÉ and Bruno Mars on APT before the first chart appearance and 4-week #1 smash Messy from Lola Young. Pop sensation Chappell Roan’s Pink Pony Club is followed by yet another massive track from the undeniable Sabrina Carpenter with Bed Chem. More pop royalty follows - Charli xcx has enjoyed award-winning success with her massive 2024 album Brat and features next with her fourth single from this album, Apple, leading to a run of smashes from CHRYSTAL, KSI feat. Trippie Redd, The Weeknd and Playboi Carti and Addison Rae.
John Martyn - Piece By Piece (1986) {2015, Deluxe Edition, Remastered}

John Martyn - Piece By Piece (1986) {2015, Deluxe Edition, Remastered}
2CD | EAC Rip | FLAC (Tracks) + Cue + m3u8 + Log ~ 817 Mb | MP3 CBR320 ~ 404 Mb
Full Scans | 00:41:00 + 01:10:49 | RAR 5% Recovery
Soft Rock, Art Rock | Universal-Island Records #471 173-4

Piece by Piece was the second album recorded by Martyn after his return to Island Records after a seven year absence. During this time, his releases on other labels had seen most of any rough edges smoothed off and his guitar playing become almost non-existent. The lighter jazz/pop style which had begun on Grace and Danger had taken over. Keyboardist Foster Paterson was a prominent contributor to the songs on Piece By Piece, which are a mix of the instantly memorable and the soon forgettable.

VA - NOW That’s What I Call Music 120 (2025)  Music

Posted by ciklon5 at March 25, 2025
VA - NOW That’s What I Call Music 120 (2025)

VA - NOW That’s What I Call Music 120 (2025)
MP3 320 kbps | 2:21:43 | 392 Mb
Genre: Reggae, RnB, Pop, Hip Hop, Rap, Rock

NOW are proud to announce the latest release in the numbered NOW series – NOW That’s What I Call Music 120 – Out April 4th. With 43 fantastic tracks across 2 CDs, NOW 120 brings you a hit-packed line-up including more than 20 Top 20 singles from the recent Sales and Airplay.

James Armstrong - Guitar Angels (2014)  Music

Posted by Designol at Dec. 24, 2024
James Armstrong - Guitar Angels (2014)

James Armstrong - Guitar Angels (2014)
EAC | FLAC | Image (Cue&Log) ~ 302 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included
Modern Electric Blues, Soul-Blues | Label: Catfood | # CFR-20 | Time: 00:45:27

One of the most time-honored blues legends is that of how Robert Johnson gained his mastery of the guitar: he sold his soul to the Devil for it. Los Angeles native and now Springfield IL resident, James Armstrong, however, communes with a different source for musical inspiration – four “Guitar Angels,” namely his father James Armstrong, Sr., Coco Montoya, Joe Louis Walker, and Mike Ross. On this second release through Catfood Records (his fifth CD overall), the incredible Armstrong pulls out all the stops when it comes to contemporary electric and soul-influenced blues. Armstrong’s veteran guitar work is consistently lively, creative, and interesting. He has crafted along with his fellow artists ten stellar original songs and two covers (The Eagles’ “Take It to the Limit” and a stellar and Soulful take on Johnny Copeland’s “Blues Ain’t Nothin’”), their upbeat and crowd-pleasing energy never fails to uplift listeners. At Armstrong’s side are seventeen remarkable musicians, including producer Michael Ross on guitar and percussion, Dan Ferguson on keyboards, and drummers Richy Puga, Rick King, and Warren Grant.

Mike Oldfield - Man On The Rocks (2014)  Music

Posted by v3122 at March 18, 2014
Mike Oldfield - Man On The Rocks (2014)

Mike Oldfield - Man On The Rocks (2014)
EAC | Flac(Image) + Cue + Log & M4A(Tracks)
Virgin/EMI Records, 376 069-5 | ~ 423 or 426 Mb | Scans(jpg, 300dpi) Included
Progressive Rock / Pop Rock

Six years after the classical Music of the Spheres, Mike Oldfield returns to his version of rock. Man on the Rocks is a slick production that recalls the AOR sounds of the late '70s and early '80s. He plays many instruments here but concentrates mainly on guitar…
Revolutions In Sound: Warner Bros. Records - The First 50 Years (2008)  [USB]

Revolutions In Sound: Warner Bros. Records - The First 50 Years (2008) [USB]
MP3 320 kbps CBR | 320Tracks + xtras | 2.89GB |
Compilation | Label: Warner Bros | Catalog Number: USB

320 Momentous Hits & Notable Tracks From The Warner Bros. Archives on Custom Metal USB Flash Drive The Equivalent of 20 CDs with Over 21+ Total Hours of Music!
Various Artists - The Golden Age Of American Popular Music 1956-1965 (2006) {Ace Records CDCDH 1111}

Various Artists - The Golden Age Of American Popular Music 1956-1965 (2006) {Ace Records CDCDH 1111}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 327 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (png) -> 75 Mb | 5% repair rar
© 1956-65, 2006 Ace Records | CDCHD 1111
Pop / Transcended Rock'n'Roll / British Invasion

It was always going to be a dangerous mission. Trevor Churchill’s brainchild, THE GOLDEN AGE OF AMERICAN POP, had been in development for some time and the prototype was about to be launched into the fray with a bundle of seemingly undifferentiated repertoire. The potential embarrassment factor was high with risk of heavy flak on the way and snipers on the ground in the landing zone. Trevor was calling for volunteers. There was a lot of nervous shuffling among the ranks. Some of the lads took to studying their toecaps, while others took an inordinate interest in the state of their cuticles, or tried to look inconspicuous by melting into the background.