Chet Baker: Chet Baker Sings: It Could Happen To You

The ultra-hip and sophisticated "cool jazz" that Chet Baker (trumpet/vocals) helped define in the early '50s matured rapidly under the tutelage of producer Dick Bock. This can be traced to Baker's earliest sides on Bock's L.A.-based Pacific Jazz label. This album is the result of Baker's first sessions for the independent Riverside label. The Chet Baker Quartet featured on Chet Baker Sings: It Could Happen to You includes Kenny Drew (piano), Sam Jones (bass), and Philly Joe Jones (drums). (Performances by bassist George Morrow and drummer Dannie Richmond are featured on a few cuts.) This results in the successful combination of Baker's fluid and nonchalant West Coast delivery with the tight swinging accuracy of drummer Jones and pianist Drew…

One immediate distinction between these vocal sides and those recorded earlier in the decade for Pacific Jazz is the lissome quality of Baker's playing and, most notably, his increased capacity as a vocalist. The brilliant song selection certainly doesn't hurt either. This is an essential title in Chet Baker's 30-plus year canon

Chet Baker - Chet Baker Sings: It Could Happen To You (1958) {OJC Remasters Complete Series rel 2010, item 13of33}
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© 1958, 2010 Riverside / Concord | 0888072323292
Jazz / Cool / West Coast Jazz / Vocal Jazz / Trumpet

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

This collection compiles, for the first time ever on a single set, all existing studio recordings of Chet Baker singing from 1953 (his earliest vocal recordings) until 1962.
The music on this CD puts Chet Baker on the scene not just as a brilliant trumpeter, but also as a talented singer. These songs were a revelation at the time and won Baker new fame and a new audience, which was less familiar with jazz than with pop music. The reasons are quite clear: Chet's voice is tender and beautiful, and at the same time his phrasing always swings and surprises. Among the contents of this set are the complete original albums Chet Baker Sings and Chet Baker Sings It Could Happen to You, plus all other existing studio vocal sides within that period.

Sometimes known as the Prince of Cool and the James Dean of jazz, Chet Baker was one of the most popular and controversial jazz musicians. He was the primary exponent of West Coast school of cool jazz (that was in early and mid-1950s). As a trumpeter, he had an intimate and romantic style of playing music, and attracted a lot of attention beyond jazz, mainly because of his movie star looks. Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.

The show tune "My Funny Valentine" was composed by Richard Rodgers and Lorenz Hart for their 1937 musical Babes in Arms, where it was introduced by former child star Mitzi Green. It would become a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. First recorded by Chet Baker in 1952, it soon became something like his theme song, omnipresent on his club and concert sets. This CD opens and closes with two of Chet’s numerous versions of the song, and also presents a selection of some of his best interpretations of well-known standards.

This music, originally issued in Italy as "Angel Eyes" and in the United States as "Chet Baker with Fifty Italian Strings", was recorded by the great Chet Baker in Milan, Italy, in 1959. It was his second European tour (the first one had taken place in 1955), and would lead to Baker’s imprisonment in Italy for drug charges. Baker is backed by a big band conducted by Len Mercer (the artistic name of the Milanese conductor Ezio Leoni) in a repertoire of well-known standards, among them a new reading of the classic “My Funny Valentine”. Tracks made by Chet in Italy during the same period for film soundtracks conducted by Piero Umiliani have been added as a bonus.

Picture of Heath (also known as Playboys was the best collaboration ever by two of the greatest jazz masters of all time: trumpeter Chet Baker and alto saxophonist Art Pepper. This set presents the complete album, along with, as a bonus, seven tracks from a previous session fronted by both stars.

Chet Baker’s Quartet with Russ Freeman was one of the best combos of its time. The May 9, 1954 concert at Ann Arbor took place at the city’s Masonic Temple, and was originally issued as Jazz at Ann Arbor. Presented here is the Ann Arbor concert in its entirety, along with, as a bonus, five quartet sides recorded by Chet in a Paris studio in 1955 during his first European tour, among them another version of the classic "Lover Man".