Chicago Chicago IX

The Complete Victor and Columbia Album Collection reflects Arrau’s textually scrupulous yet highly personal mastery of many styles had matured and ripened, while retaining the fire and ardency of his youth. Arrau’s Mozart, Weber and Chopin probe beyond the music’s surface charm, as do the luminous and full-bodied Spanish and French Impressionist selections. Cumulative momentum and thoughtful detail characterize Arrau’s Beethoven and Schumann while the extraordinary technical finish of his Liszt transcends mere virtuosity and bravura.

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.

A work with a name like this can only be unusual. The opus in question is a three-part solo piano epic, lasting a shade under four hours and of a complexity to match. Combine an all-night raga sequence with Bach's Art of Fugue and you're getting close. Is it worth the listen? Yes, if you want to give your heart and mind–not just your brain–a real workout. For all his outsize demands, Sorabji was a front-rank pianist, who understood technique as a physical end to spiritual means. There are stretches of manic complexity here, but also passages of real poetry: try the lengthy "Interludium primum" which opens Part 2, or many of the 81(!) variations which follow the magisterial "Passacaglia" in Part 3. It's music which cries out for transcendental virtuosity, and Geoffrey Douglas Madge gives it just that. He gave four performances over six years and this Chicago one from 1983 assumed mythic status among those who heard it. Remastered for CD release, it is awe-inspiring in its grasp of what's gone into this music: the audience clearly living it with the pianist every step of the way. Hear it for yourself, then why not run the marathon or climb Everest for relaxation?

The long-awaited 32-disc boxed set of Robert Fripp in the studio and in concert 1977 - 1983 will be released on 27th May 2022. The set will feature many previously unreleased tracks, outtakes and rarities as well as a number of tracks appearing on CD for the first time. The largest in the series, Exposures is the ninth boxset release collecting King Crimson / Robert Fripp material from 1969 to 2008.

Curated by leading musicologist and writer Nigel Simeone, Decca and DG's 20C series is devoted to the compositional high points of the 20th Century, presenting a comprehensive overview of classical music from an often-turbulent era. Volume One is a 28-CD set that features 26 iconic works by 26 composers from 1900-1949 and includes a timeline of musical premieres from that period with repertoire notes by Simeone.

Created from the legendary Deutsche Grammophon Catalogue, The History of Classical Music in 24 Hours is a collection that can spark a life-long interest in classical music. Thematically arranged on 24 discs, The History weaves its way from Medieval Music to Minimalism, with many stops along the way: The Renaissance, Baroque (vocal and instrumental), the great Concertos, the Rise of the Virtuoso, a three disc focus on opera and more.

Created from the legendary Deutsche Grammophon Catalogue, The History of Classical Music in 24 Hours is a collection that can spark a life-long interest in classical music. Thematically arranged on 24 discs, The History weaves its way from Medieval Music to Minimalism, with many stops along the way: The Renaissance, Baroque (vocal and instrumental), the great Concertos, the Rise of the Virtuoso, a three disc focus on opera and more.

From the outset of his recording career, Maurizio Pollini has championed modern music – in benchmark accounts of Bartók, Boulez, Manzoni, Nono, Prokofiev, Schoenberg, Stravinsky and Webern, to which can be added his later recordings of Debussy and Berg. Here are his complete recordings of 20th-century music, brought together on a specially-priced 6-CD set for the first time.

Celebrating his half-century as a Decca artist, as well as his eighty-fifth birthday, Sir Georg Solti here offers a nicely autobiographical collection of three sets of variations: the Peacock Variations of Kodaly representing his Hungarian roots, the lively Paganini Variations of Blacher a recognition of his years as German citizen, and finally a tribute to his unique Britishness in Elgar's Enigma Variations. The disc is also a tribute to the Vienna Philharmonic and Solti's special relationship with that orchestra, with whom he recorded these live performances in the Musikverein last April. You have only to compare this warmly expressive, subtly nuanced, and deeply felt account of the Elgar with Solti's earlier Chicago version of 1974 to appreciate not only the quality of this great Viennese orchestra, but the way in which Solti has mellowed over the last two decades.