Chicago

VA - Chicago Urban Blues 1923-1945 (1999)  Music

Posted by Designol at Dec. 16, 2022
VA - Chicago Urban Blues 1923-1945 (1999)

VA - Chicago Urban Blues 1923-1945 (1999)
EAC | FLAC | Tracks (Cue&Log) ~ 263 Mb | Mp3 (CBR320) ~ 216 Mb | Scans included
Pre-War Blues, Chicago Blues | Label: AMB | # ABMMCD 1227 | Time: 01:15:16

Chicago Urban Blues 1923-1945 is a concentrated anthology of historic recordings by individuals with ties to communities all across the southern United States. This collection includes well chosen examples by pianists Meade "Lux" Lewis, Bob Robinson (of Hokum Boys fame), Roosevelt Sykes, Clarence "Pinetop" Smith, and Jimmy Yancey, who played on one of only two recordings known to have been made by vocalist Faber Smith. Amos Easton, also known as Bumble Bee Slim, was backed on the ivories by Myrtle Jenkins, who also made records with Priscilla Stewart, Mary Mack, and the State Street Swingers. There's enough female energy in here to settle anybody's business. You hear Ida Cox accompanied by pianist Lovie Austin; Bertha "Chippie" Hill by Richard M. Jones, and Hannah May, who might have been Victoria Spivey's sister Elton Spivey, with Georgia Tom Dorsey and Tampa Red. Lil Johnson sings "My Stove's in Good Condition" backed by pianist Black Bob and guitarist Big Bill Broonzy. "Squat It" comes from a large body of works generated by the team of Memphis Minnie and Kansas Joe McCoy. Sippie Wallace sings the "Bedroom Blues," and her little brother Hersal Thomas performs his own "Suitcase Blues," which became a staple of the piano blues repertoire and received its best reinterpretation on a 1939 Blue Note recording by Albert Ammons.

Chicago - Chicago VII (1974) {1992, Reissue}  Music

Posted by popsakov at Jan. 8, 2023
Chicago - Chicago VII (1974) {1992, Reissue}

Chicago - Chicago VII (1974) {1992, Reissue}
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 450 Mb | MP3 CBR320 ~ 195 Mb
Full Scans | 01:12:26 | RAR 5% Recovery
Soft Rock, Jazz Rock, Fusion | Columbia #982731 2

This incredibly diverse collection was Chicago’s sixth studio album and their final studio-recorded double album to date. Cited for its jazz excursions, Chicago VII reached No. 1 in the US and included three stand-out hits including Searchin’ So Long, Wishing You Were Here and the first single penned by trumpeter Lee Loughnane Call on Me, which reached No. 6 in the US.
Chicago - Chicago Live In Japan (1972) [2CD] [2012, Japanese Paper Sleeve Mini-LPs]

Chicago - Chicago Live In Japan (1972) [2CD] [2012, Japanese Paper Sleeve Mini-LPs]
Rock, Pop Rock, Jazz-Rock, Live | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (JPEG) | 01:44:26 | 1,08 Gb
Label: Rhino/Warner Music Japan Inc. (Japan) | Cat.# WPCR-14472~73 | Released: 2012-05-28 (1972)

This double-length set, not the "legendary" four-LP Carnegie Hall concert, is the one to get to hear what Chicago sounded like in their classic early period. In contrast to the Carnegie Hall show, where the band emphasized its precision to the point of deadening any excitement that might have been generated, here Chicago sounds upbeat and lively, bent on giving a good, exciting show and not on capturing a perfect performance. There are moments, as on the crescendo of "Dialogue," where the spirit outstrips the cleanness of the performance, but the group is so tight and forceful that one lets them slide by; at other times, as on "Beginnings," they're so smooth and lithe in their extension of the piece that one just wants to bask in it; and then they switch gears to the rougher, harder "Mississippi Delta City Blues," and make that work too. The whole performance is good, with a steady stream of worthwhile high points.

Chicago - Chicago (2014)  Music

Posted by ciklon5 at Dec. 17, 2024
Chicago - Chicago (2014)

Chicago - Chicago (2014)
FLAC (tracks), Lossless / MP3 320 kbps | 1:11:13 | 422 / 163 Mb
Genre: Rock, Soft Rock, Pop Rock, Jazz Rock

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990, a period where they survived the departure of key band members while also subtly adapting to changing times. That's not an easy task for any rock band and it's especially difficult for a group like Chicago, a band that placed equal (if not greater) emphasis on horns as guitar. Picking up where Blood, Sweat & Tears left off, Chicago initially specialized in jazz-inflected prog-rock, using the sides of a vinyl record as canvasses for sprawling, adventurous rock. Chicago quickly learned how to channel this expansive sound into concise pop songs, scoring hits in the early 1970s with such punchy tunes as "25 or 6 to 4" and "Beginnings," while also showing facility with sweeter melodies on "Does Anybody Really Know What Time It Is?" and "Saturday in the Park." As the decade progressed, the band began to emphasize their softer side with bassist Peter Cetera singing such mellow standards as "If You Leave Me Now," "Baby, What a Big Surprise" and "Hard to Say I'm Sorry."

Chicago - Greatest Christmas Hits (Remastered) (2023)  Music

Posted by delpotro at March 10, 2024
Chicago - Greatest Christmas Hits (Remastered) (2023)

Chicago - Greatest Christmas Hits (Remastered) (2023)
EAC Rip | FLAC (tracks+log+.cue) - 336 Mb | MP3 CBR 320 kbps - 112 Mb | 00:48:01
Soft Rock, Jazz Rock, Xmas | Label: Rhino Entertainment, Warner Music

Chicago’s unmistakable sound has made them one of the best-selling music groups of all time, with over 100 million records sold worldwide! Chicago’s massive popularity extends to Christmas music. The group have released two RIAA Gold-Certified Christmas albums - Chicago 25 and What’s It Gonna Be, Santa? Both albums were celebrated with a Gold Record presentation to the band at the Greek Theatre in Los Angeles on August 19th. Rhino / Warner Music release a new collection titled Chicago Greatest Christmas Hits, featuring their most popular Christmas songs.

VA - Foxy R&B - Richard Stamz Chicago Blues (2013)  Music

Posted by Rtax at Jan. 31, 2024
VA - Foxy R&B - Richard Stamz Chicago Blues (2013)

VA - Foxy R&B - Richard Stamz Chicago Blues (2013)
EAC Rip | FLAC (tracks, cue, log) - 324 MB | MP3 CBR 320 kbps - 210 MB
1:06:20 | Full Scans Included | Rhythm & Blues, Chicago Blues | Label: Ace

Richard Stamz was a colourful R&B and soul DJ who operated in Chicago throughout the 50s and 60s. A slick, jive talker who hosted a groundbreaking black TV show in the city in 1956, his on-air persona ran from crown prince to royal highness. Around 1960 he took over the Cobra/Artistic/Abco studio and the Paso label, which he continued to run alongside his own Foxy operation. Bluesman Harold Burrage was already at Paso; he and Stamz began working closely together, with Burrage recording, composing songs, playing sessions and even voicing ads for Stamz’s radio show. Burrage’s 45s for Paso and Foxy are superb examples of early 60s blues as it moved towards soul. His extremely rare original version of Betty Everett’s ‘Please Love Me’ will be of great interest to new breed R&B fans, as will many of the tracks on these largely uncharted labels.

Chicago - Chicago II (1970) {Remastered Reissue}  Music

Posted by popsakov at June 28, 2024
Chicago - Chicago II (1970) {Remastered Reissue}

Chicago - Chicago II (1970) {Remastered Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 420 Mb | MP3 CBR320 ~ 167 Mb
Full Scans | 01:07:23 | RAR 5% Recovery
Jazz Rock / Soft Rock / Progressive Rock / Classic Rock / Jazz Fusion
Astral Music #CD600124 | Canada

The Chicago Transit Authority recorded this double-barreled follow-up to their eponymously titled 1969 debut effort. The contents of Chicago II (1970) underscore the solid foundation of complex jazz changes with heavy electric rock & roll that the band so brazenly forged on the first set. The septet also continued its ability to blend the seemingly divergent musical styles into some of the best and most effective pop music of the era. One thing that had changed was the band's name, which was shortened to simply Chicago to avoid any potential litigious situations from the city of Chicago's transportation department – which claimed the name as proprietary property.
Chicago - Live at The Nassau Coliseum, Uniondale NY, May 20, 1977 (2011)

Chicago - Live at The Nassau Coliseum, Uniondale NY, May 20, 1977 (2011)
FLAC (tracks), Lossless / MP3 320 kbps | 2:33:53 | 349 Mb / 1 Gb
Genre: Rock, Soft Rock, Pop Rock

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990, a period where they survived the departure of key band members while also subtly adapting to changing times. That's not an easy task for any rock band and it's especially difficult for a group like Chicago, a band that placed equal (if not greater) emphasis on horns as guitar. Picking up where Blood, Sweat & Tears left off, Chicago initially specialized in jazz-inflected prog-rock, using the sides of a vinyl record as canvasses for sprawling, adventurous rock.

Chicago - Chicago XIV (1980) {2003 Rhino} **[RE-UP]**  Music

Posted by TestTickles at April 3, 2021
Chicago - Chicago XIV (1980) {2003 Rhino} **[RE-UP]**

Chicago - Chicago XIV (1980) {2003 Rhino}
EAC Rip | FLAC with CUE and log | scans | 411 mb
MP3 CBR 320kbps | RAR | 200 mb
Genre: pop, rock, pop rock

Chicago XIV is the 1980 album by American jazz rock band Chicago. This was their last release for Columbia Records before getting the boot and becoming one of the biggest yacht rock bands of the 20th century. This is the 2003 pressing released by Rhino with three songs not on the original album.

Chicago - I Love Chicago (2012)  Music

Posted by ciklon5 at Dec. 18, 2024
Chicago - I Love Chicago (2012)

Chicago - I Love Chicago (2012)
FLAC (tracks), Lossless / MP3 320 kbps | 1:46:40 | 639 / 243 Mb
Genre: Rock

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990, a period where they survived the departure of key band members while also subtly adapting to changing times. That's not an easy task for any rock band and it's especially difficult for a group like Chicago, a band that placed equal (if not greater) emphasis on horns as guitar. Picking up where Blood, Sweat & Tears left off, Chicago initially specialized in jazz-inflected prog-rock, using the sides of a vinyl record as canvasses for sprawling, adventurous rock. Chicago quickly learned how to channel this expansive sound into concise pop songs, scoring hits in the early 1970s with such punchy tunes as "25 or 6 to 4" and "Beginnings," while also showing facility with sweeter melodies on "Does Anybody Really Know What Time It Is?" and "Saturday in the Park."