Although this set contains eight lesser-known Chick Corea compositions, it is in reality a fine blowing date. Corea, on both acoustic and electric pianos, is joined by his old friend Joe Farrell on reeds, bassist Eddie Gomez and drummer Steve Gadd for some fine straightahead jazz.
This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.
Not all of the installments in the Verve Jazz Masters series contain material originally issued on Verve. Verve Jazz Masters 3, for example, consists of 14 examples drawn from seven Chick Corea LPs released on the Polydor label during the years 1972-1978. Six of these come from Corea's Return to Forever period. The backbone of this collection (tracks one, seven, ten and fourteen) are selections from the highly acclaimed album Light as a Feather (1972) and there are excerpts from Hymn of the Seventh Galaxy (1973) and No Mystery (1975). The other eight titles are traceable to Corea's theatrically costumed and somewhat heavy-handed production albums The Leprechaun (1975), My Spanish Heart (1976), Friends (1978) and The Mad Hatter (1978). This disc will be useful as a vintage jazz fusion sampler or more specifically as an overview of what Chick Corea was up to during the Nixon/Ford/Carter years.
Pianist Chick Corea in 1996 gathered together some notable young all-stars (tenor-saxophonist Joshua Redman, trumpeter Wallace Roney, altoist Kenny Garrett, bassist Christian McBride, plus veteran drummer Roy Haynes) for explorations of tunes by the innovative pianist Bud Powell. Although "Bouncin' With Bud," "Tempus Fugit" and "Celia" have been occasionally recorded by others, most of the complex songs (including "Mediocre," "Dusk In Sandi," "Oblivion" and "Glass Enclosure") have rarely been played in recent decades. Rather than play revivalist bebop, Corea and his associates (after authentically stating the melody) perform modern post bop improvisations in their own styles, so much of the music is way beyond bop. In addition to nine Powell songs, Corea contributed a song rightfully titled "Bud Powell." All of the talented musicians have a fair amount of solo space and sound consistently inspired, making this a very successful and easily recommended project.