Chopin Piano Concertos

The disc features new recordings of the Chopin concertos performed on period instruments, documenting two outstanding artistic moments in the festival Chopin and his Europe. Dang Thai Son, winner of the Tenth Fryderyk Chopin International Piano Competition in Warsaw, is accompanied by Frans Brüggen’s Orchestra of the Eighteenth Century—a legendary ensemble restoring to music its authentic sound.

The Concerto in E minor was recorded during a concert held on 8 September 2005 in the Concert Hall of the National Philharmonic in Warsaw,

The Concerto in F minor was recorded during a concert held on 31 August 2006 at the Grand Theatre – National Opera.

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.

For her first recording on the Linn label, Ingrid Fliter performs the two piano concertos of Frédéric Chopin with the Scottish Chamber Orchestra, conducted by Jun Märkl, and both performances are presented in the hybrid SACD format. The multichannel treatment might seem excessive for these works, since the piano part is always clear and prominent, and the orchestration isn't dense or complicated. Even so, the myriad subtleties of dynamics, attacks, and phrasing come across with exceptional clarity and effectiveness in the state-of-the-art recording, which does a great service to Fliter and the orchestra.

The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland.

It was an eminently sensible decision to couple Zimerman's previously separate Chopin concertos on a single CD. The Ax/Ormandy/RCA disc is the only rival as a coupling, so let me say at once that in different moods I would be equally happy with either.

Bella Davidovich (born in 1928) won the prestigious Warsaw International Chopin Competition in 1949, sharing first prize with pianist Halina Czerny-Stefanska. This is a rare recording of Chopin's two Piano concertos, with a warm sense of music. The piano has a weak presence, as if Chopin himself were playing. The London Symphony Orchestra, under Sir Neville Marriner, is not only an accompanist, but it has a full powerful presence. Enjoy this jewel!