Chorus Erasure

Originally released in 1991, the classic Erasure album Chorus was the band’s fifth album and their 3rd UK number one. Remastered with a second CD of B-Sides, Remixes (including 4 new remixes) and Rarities plus a third CD containing live "Chorus" performances from the Phantasmagorical Entertainment tour.
No longer making a big American splash outside of its fanbase and alternative radio - and about to be turned into yesterday's news thanks to the techno/hardcore explosion - Erasure on Chorus concentrated on just sounding like itself. With the notable exception of the hypersassy "Love to Hate You," Bell steers away from campiness in favor of a series of gentler meditations and impassioned pleas…

Released three years after Chorus, I Say I Say I Say found Erasure for the first time fully interested in essentially staying in place. The album as a whole is at base an attractively redressed version of what the duo had already done, the occasional slight surprise notwithstanding. While Clarke in particular shows some virtuosity with his performances, helped by Human League/Heaven 17 veteran Martyn Ware's production, I Say lacks any real novelty (certainly Bell's singing isn't going to change any earlier perceptions, positive or negative). It's not as experimentally indulgent as the self-titled album or unfortunately unmemorable as Cowboy, but it's still not quite the group at its sharp pop finest track for track. When it does succeed, though, it has plenty of the flash and verve of old…

Released three years after Chorus, I Say I Say I Say found Erasure for the first time fully interested in essentially staying in place. The album as a whole is at base an attractively redressed version of what the duo had already done, the occasional slight surprise notwithstanding. While Clarke in particular shows some virtuosity with his performances, helped by Human League/Heaven 17 veteran Martyn Ware's production, I Say lacks any real novelty (certainly Bell's singing isn't going to change any earlier perceptions, positive or negative). It's not as experimentally indulgent as the self-titled album or unfortunately unmemorable as Cowboy, but it's still not quite the group at its sharp pop finest track for track.

Live at the Royal Albert Hall is a live album released by English synthpop duo Erasure in 2007. It is a double-CD set that is a recording of a concert appearance performed on 25 September 2007 at the Royal Albert Hall in London. This concert was a performance to promote the band's 2007 album Light at the End of the World. It was recorded and distributed in conjunction with Live Here Now and was available only through direct order and as a digital download via Live Here Now. Because of this limited availability, the album was ineligible for the UK Albums Chart. A DVD of the same concert was released at the beginning of 2008 and got wider commercial release so that it charted at #7 in the UK music DVD chart and at #19 in the German music DVD chart.

Am I Right? [EP] (1991) [Limited Edition]. Separate from the actual Am I Right? EP itself, this pleasant release collects new mixes and alternate versions of tracks from Chorus, often with great results. Noted techno act the Grid gets its hands into "Am I Right?" itself for the leadoff track, adding some extra atmospheric synth lines and harder-edged electronic crunch; it's not a notable revision from the original otherwise, but still has a certain something. Mark Saunders, a regular studio compatriot of the band's, handles the LFO Modulated Filter mix of "Love to Hate You." The name's a touch misleading in that neither of the LFO duo actually appear on the track, but as a further pumping up of the arena-synth atmosphere of the original, it's a winner…

An early track record of releasing one glistening single after another made Erasure's first compilation, Erasure Pop!: The First 20 Hits, a no-brainer to compile, but what to do with the duo's spotty later years? Hits! The Very Best of Erasure puts the old hits with the new ones, adds some rarities and remixes, and keeps with Pop!'s chronological structure. The first 13 tracks on Hits! The Very Best of Erasure cover the same, more successful, time Pop! did, and after that it's all moody epilogue. Later tracks like "Always," "Freedom," and "In My Arms" don't have the name recognition of "Chains of Love," but they do show a more mature Erasure in both delivery and composition…

Originally released in October 1995, the band’s seventh album, ‘Erasure’ was produced by Thomas Fehlmann of The Orb and Gareth Jones (Depeche Mode, Wire, Nick Cave and the Bad Seeds) and mixed by the legendary Francois Kevorkian (Kraftwerk, Depeche Mode) Featuring the singles ‘Stay With Me’, ’Fingers & Thumbs (Cold Summer’s Day)’ and ‘Rock Me Gently’ (featuring Diamanda Galas), the deluxe 2CD will be released in hard back book format with exclusive photos by Herbie Knott and brand new sleeve notes by Electronic Sound’s Mat Smith. CD1 features the original album, whilst CD2 includes 15 tracks including 4 brand new remixes, classic archive mixes, original B-Sides, live recordings, demos and rarities.

Since their singles have always been as well chosen as they were well crafted, Total Pop! The First 40 is top-shelf Erasure the whole way through, displaying the evolution of the synth pop band through representative singles. This Total Pop Deluxe Box features the original two-CD Total Pop! with all the synth pop duo’s singles in chronological order, and then adds material geared toward the truly devoted Bell/Clarke aficionado. Besides an expanded booklet, the box adds a bonus live CD, plus a DVD of the duo's mostly flamboyant performances on the BBC television network.