Christian Rock

Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock

Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock by Shawn David Young
English | 2015 | ISBN: 0231172389, 0231172397 | 336 pages | PDF | 6,6 MB
Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock

Shawn Young, "Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock"
English | 2015 | pages: 330 | ISBN: 0231172389 | PDF | 6,6 mb
Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock

Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock by Gregory Thornbury
English | March 20th, 2018 | ASIN: B01NBQ4NFP, ISBN: 110190707X | 284 Pages | EPUB | 10.50 MB

The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at the dawn of America’s culture wars.
Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock [Audiobook]

Why Should the Devil Have All the Good Music?: Larry Norman and the Perils of Christian Rock [Audiobook] by Gregory Alan Thornbury
English | June 26th, 2018 | ASIN: B07DPSZWN5, ISBN: 1977363466 | MP3@64 kbps | 9 hrs 31 mins | 261.86 MB
Narrator: Stephen R. Thorne

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.
No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (repost)

David W. Stowe, "No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism"
English | 2011 | ISBN: 0807834580 | PDF | 304 pages | 5,7 MB
No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (repost)

David W. Stowe, "No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism"
English | 2011 | ISBN: 0807834580 | PDF | 304 pages | 5,7 MB

In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music.
The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll

The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll by Randall J. Stephens
English | March 19, 2018 | ISBN: 0674980840 | PDF | 344 pages | 30 MB

Rebel for God: Faith, Business, and Rock 'n' Roll  eBooks & eLearning

Posted by First1 at June 26, 2018
Rebel for God: Faith, Business, and Rock 'n' Roll

Rebel for God: Faith, Business, and Rock 'n' Roll by Eddie DeGarmo
English | June 26th, 2018 | ISBN: 1621578089 | 256 Pages | EPUB | 2.90 MB

Includes Bonus Content not included in the print edition!

Petra - Petra Means Rock (Compilation) (1989)  Music

Posted by Andi_Deris at Nov. 30, 2015
Petra - Petra Means Rock (Compilation) (1989)

Petra - Petra Means Rock (Compilation) (1989)
EAC Rip | FLAC: Image+Cue+Log | 491 Mb | MP3 CBR 320 kbps | 176 Mb | Scans | Time: 01:08:15
Genre: Hard Rock, Arena Rock, Christian Rock | Label: Star Song | Cat.№: SSD 8138

Petra Means Rock is Petra's first compilation album. It was released by StarSong in 1989.
Earthen Vessel - Hard Rock / Everlasting Life (1971) [Reissue 1999] (Re-up)

Earthen Vessel - Hard Rock / Everlasting Life (1971) [Reissue 1999]
EAC Rip | FLAC (image+.cue+log) - 179 MB | MP3 CBR 320 kbps (LAME 3.93) - 71 MB | Covers - 4 MB
Genre: Psychedelic Rock, Hard Rock | RAR 3% Rec. | Label: Gear Fab Records (GF-127)

Forgotten, obscure, but most amazing and unusual act from the 70s - the band was formed in 1970 in Lansing, Michigan, by former gospel tenor Leon Morton and his gospel-mate Walter Ballard. Within it's short (18 months or so) career the band successfully tried to become the loudest and the hardest acid rock band - but without acid. Today they would've been called Christian rock. Back then, it was an act of short-lived Jesus Rock Movement - the musicians tried to preach ("Let Jesus bring you back", "Life everlasting"…) through acid-rock sound. Even the name of the band had Biblical reference. However, fronted by vocalists Sharon Keel and Ken Fitch, and supported by drummer Eddie Johnson (with Juliard background) the group achieved impressive results. In 1971 Monument Studios in Nashville (not the best place to play acid-rock) recorder this classic album.