Chronicle 5.3.2

The Modern Jazz Disciples - The Modern Jazz Disciples (1959) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series UCCO-5370}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 404 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1959, 2013 Prestige New Jazz / Concord / Universal Japan | UCCO-5370 | NJLP 8222
Jazz / Hard Bop / Bop

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. In a perfect world, Curtis Peagler's Modern Jazz Disciples would have had a longer run and built a much larger catalog. But regrettably, the Cincinnati quintet is only a small footnote in the history of hard bop and gave listeners only two albums. The first was this self-titled LP, which was recorded for Prestige's New Jazz subsidiary in 1959. The Modern Jazz Disciples shows the late Peagler, who turned 29 that year, to be a hard-swinging alto saxman in the Charlie Parker/Sonny Stitt/Cannonball Adderley/Phil Woods vein – his hot-blooded solos on tracks like "A Little Taste," "Slippin' and Slidin'," and the standard "After You've Gone" make this record well worth the price of admission.

Chronicle, Vol. 1 contains every one of Creedence Clearwater Revival's original 19 hit singles – including "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Travelin' Band," "Up Around the Band," and "Have You Ever Seen the Rain" – plus "I Heard It Through the Grapevine," which became a hit at the same time this double-record compilation was released. It's a lean, concise collection that tells you everything you need to know about Creedence. Several of the band's individual albums are essential, but Chronicle is not only an excellent introduction to the group, it offers definitive proof that the group was one of the definitive singles' bands of the late '60s. Rarely has a greatest- hits collection been so well-assembled.

Earl Coleman - Earl Coleman Returns (1956) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5245}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 197 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1956, 2013 Prestige / Concord / Universal Japan | UCCO-5245 | Mono | PRLP 7045
Jazz / Vocal Jazz / Standards

Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than usual for a jazz vocal date, and lots of room for jazz soloists that include Art Farmer on trumpet, Gigi Gryce on alto, and Hank Jones on piano.

Phil Woods, Gene Quill, Jackie McLean, John Jenkins, Hal McKusick - Bird Feathers (1957) {2013 Japan Prestige New Jazz Chronicle SHM-CD HR Cutting Series UCCO-5354}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 182 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 332 Mb | 5% repair rar | DSD / HR Cutting Remaster
© 1957, 2013 Prestige New Jazz / Concord / Universal Japan | UCCO-5354 | Mono | NJLP 8204
Jazz / Bop / Cool / Hard Bop / Saxophone

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. A really great title for this classic late 50s set – as the record showcases a host of young alto players who've all come up in the generation of Charlie Parker – but who are each bringing their own sense of style to the instrument! There's hardly any "bird feathers" here – as the Charlie Parker modes are never used slavishly, but instead as a way to sprout wings and really take off in new direction – a difference that really comes through wonderfully on the tracks that feature two different altoists playing together.

Chronicle, Vol. 1, also known as Chronicle: The 20 Greatest Hits, is a greatest hits album by the American swamp rock band Creedence Clearwater Revival. It was released in January 1976 by Fantasy Records. The edited version of "I Heard It Through the Grapevine" featured on the album was simultaneously released as a single.

Stan Getz - Stan Getz Quartets +5 (1950) {2013 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5202}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 161 Mb | MP3 @320 -> 122 Mb | Cover | 5% repair rar | DSD / HR Cutting Remaster
© 1950, 2013 Prestige / Concord / Universal Japan | UCCO-5202 | Mono | PRLP 7002
Jazz / Cool / West Coast Jazz / Tenor Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. After gaining initial fame with Woody Herman's band, Stan Getz went solo in the late '40s, hitting his zenith during the bossa nova craze of the early '60s. Before scoring with "Girl From Ipanema," though, Getz established himself with a slew of fine dates for Prestige and Verve, including this one from 1950. At the time, Getz's cool, Lester Young-inspired sound was becoming more distinct and harmonically varied, featuring the beautifully mellifluous tone he would soon turn into his trademark.