Cinebench R15

Arnold is an advanced Monte Carlo ray tracing renderer built for the demands of feature-length animation and visual effects. Originally co-developed with Sony Pictures Imageworks and now their main renderer, Arnold is used at over 300 studios worldwide including ILM, Framestore, MPC, The Mill and Digic Pictures. Arnold was the primary renderer on dozens of films from Monster House and Cloudy with a Chance of Meatballs to Pacific Rim and Gravity. It is available as a standalone renderer on Linux, Windows and Mac OS X, and is accessible through plug-ins for Maya, Softimage, Houdini and Katana.

Arnold is an advanced Monte Carlo ray tracing renderer built for the demands of feature-length animation and visual effects. Originally co-developed with Sony Pictures Imageworks and now their main renderer, Arnold is used at over 300 studios worldwide including ILM, Framestore, MPC, The Mill and Digic Pictures. Arnold was the primary renderer on dozens of films from Monster House and Cloudy with a Chance of Meatballs to Pacific Rim and Gravity. It is available as a standalone renderer on Linux, Windows and Mac OS X, and is accessible through plug-ins for Maya, Softimage, Houdini and Katana.

Arnold is an advanced Monte Carlo ray tracing renderer built for the demands of feature-length animation and visual effects. Originally co-developed with Sony Pictures Imageworks and now their main renderer, Arnold is used at over 300 studios worldwide including ILM, Framestore, MPC, The Mill and Digic Pictures. Arnold was the primary renderer on dozens of films from Monster House and Cloudy with a Chance of Meatballs to Pacific Rim and Gravity. It is available as a standalone renderer on Linux, Windows and Mac OS X, and is accessible through plug-ins for Maya, Softimage, Houdini and Katana.

Arnold is an advanced Monte Carlo ray tracing renderer built for the demands of feature-length animation and visual effects. Originally co-developed with Sony Pictures Imageworks and now their main renderer, Arnold is used at over 300 studios worldwide including ILM, Framestore, MPC, The Mill and Digic Pictures. Arnold was the primary renderer on dozens of films from Monster House and Cloudy with a Chance of Meatballs to Pacific Rim and Gravity. It is available as a standalone renderer on Linux, Windows and Mac OS X, and is accessible through plug-ins for Maya, Softimage, Houdini and Katana.

Apprenez à modéliser et animer un robot en 3D grâce au logiciel Cinema 4DR15 ! Vous suivez pas à pas le travail d'un artiste 3D professionnel, Alexandre Desmassias, pour progresser. Vous apprenez la modélisation d'un tête, d'un corps, de bras, de jambes et enfin des mains d'un robot. Pour cela vous utilisez l'ensemble des outils du logiciel C4DR15 et maitrisez son interface. Vous réglez les chaînes d'articulations et les contrôleurs des membres pour préparer l'animation. Puis vous mettez en mouvement cette créature avec la technique des image clés. Les articulations et les membres s'animent et vous préparez une succesion de gestes. Vous créez ensuite le décor de la scène avec du sculpting, de la projection et de la modélisaiton. La création de débris est également détaillée. Sont ensuite abordés les lumières et les ombres, ainsi que les textures procédurales. Enfin, la réalisation de la scène permet de s'entraîner à l'utilisation des caméras et des masques. Pour terminer l'auteur détaille les paramètres de rendu et explique comment il finalise son illustration sous Photoshop.

Ever wondered how the high end professionals get such nice looking architectural renders? Then wonder no more as 3D Fluff reveals more secrets than Edward Snowden. You don’t need high end computers, you just need the right settings.

In this series you will learn about the Global Illumination effect inside CINEMA 4D. The series starts with a general overview of what Direct Light and Indirect Light are, and what that means to the renderer. With that groundwork laid, the concepts behind sampling and how that affects the resulting GI solution are covered. This includes information about how the size of illuminating objects affects the GI calculations, the GI Area Light attribute, and GI portals. With an idea of what goes into sampling the scene you will then explore the various GI methods, including primary (Irradiance Cache, Quasi-Monte Carlo) and secondary bounces (Irradiance Cache, Quasi-Monte Carlo, Radiosity Maps, and Light Mapping). After going over the various GI methods you will then be introduced to working with caches for the Irradiance Cache, Radiosity Maps, and Light Mapping.

dBpoweramp Reference created for Audio Professionals, who demand more: more technical, more features, more pro-codecs. Supplied as default with Broadcast Wave Format (BWF), Dalet, Wave64 codecs. Supporting IEEE floating point conversions (right through DSP effect chain), multi-cpu capable encoder. Apply VST or DirectX DSP effects whilst converting.