Cinema

Together with the French character animation specialists at WiPix, more than five hours of high-quality instruction on rigging and animating a character was created.

This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures.

A philosopher and a culture critic who chose to work in the film medium, Jean-Luc Godard appeared on the international scene both as a writer for the Cahiers du Cinema as well as a leading representative of the French New Wave movement. His unconventional approach to everything from film structure to editing and sound, infuses his films with a playful iconoclasm and an idiosyncratic identity. His intellectual preoccupations are often centered around political themes (capitalism, democracy), sociology (the conventions, conformism and Faustian aspects of modernity), existentialism (human identity) etc. For over 45 years, Godard's metalinguistic experimentation with the elements of cinema, from jump-cuts to whispered voice-overs, has established him as one of the most persistently probing, thought-provoking and influential film-makers in history.

Creating cinema-graph from zero to hero, with projects base learning.