Circle Track From September 2016

2016 marks the 20th anniversary for Germany-based metal label AFM Records. Being in the business for two decades now and working with the 'who is who' of the scene, the company is proud to present a special compilation of highlights and new tracks, titled '20 Years - Metal Addiction', to celebrate in style. Of course all the big names who were (and are) crucial for the label s evolution during the years are featured here: Doro, U.D.O., Fear Factory, Evergrey, Avantasia, Rhapsody Of Fire, Danzig, Leaves' Eyes, Edguy, Destruction, Masterplan, D-A-D, Ministry and many more. Two brand new, previously unreleased songs by Iron Mask and Eden's Curse perfectly round off this extensive release, which comes up with a total of 52 tracks on 3 CDs.

22, A Million is the third studio album by American indie folk band Bon Iver, released on September 30, 2016. The album was premiered at Justin Vernon's Eaux Claires Music Festival.

Masabumi Kikuchi - Susto +2 (1981) {2016 Japan Crossover & Fusion Collection 1000 Series SICJ 169}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 411 Mb | MP3 @320 -> 131 Mb
Full Artwork @ 600 dpi (png) -> 289 Mb | 5% repair rar
© 1981, 2016 Columbia / Sony Music Japan | SICJ 169
Jazz / Fusion / Jazz Funk / Keyboards

Reissue with the latest DSD remastering. Comes with liner notes. A great album of funky Japanese fusion – one of the few sets from the Japanese scene of the late 70s that got any sort of wider release in the US – and a treasure that we've loved for years! The set's got a really great sound – soulful and funky, but sharp too – in a lineup that features a variety of keyboards from Masabumi Kikuchi, plus work by Terumasa Hino on trumpet, Steve Grossman and Dave Liebman on saxes, and James Mason on guitar! The best cuts have a funky feel that's in the CTI/Kudu mode – perhaps mixed with a bit of Herbie Hancock keyboard jamming – and the album's a surprisingly lost funky gem in the Columbia catalog of the early 80s, with a much harder edge than some of the other work on the label at the time!

There is poignant irony in the fact that Enigma's Michael Cretu chose painter Wolfgang Beltracchi, the world's most famous art forger, to illustrate The Fall of a Rebel Angel, his first album in eight years. …

Enigma is a German musical project founded in 1990 by Romanian-German musician and producer Michael Cretu. Cretu had released several solo records, collaborated with various artists, and produced albums for his then wife, German pop singer Sandra, before he conceived the idea of a New Age, Worldbeat project. He recorded the first Enigma studio album, MCMXC a.D. (1990), with contributions from David Fairstein and Frank Peterson. The album remains Enigma's biggest, helped by the international hit single, "Sadeness (Part I)", which sold 12 million units alone. According to Cretu, the inspiration for the creation of the project came from his desire to make a kind of music that did not obey "the old rules and habits" and presented a new form of artistic expression with mystic and experimental components.

Bessie Regina Norris, better known by her stage name, Betty Wright (born December 21, 1953), is a Miami-based soul and R&B singer-songwriter, who rose to fame in the 1970s with hits such as "Clean Up Woman" and "Tonight is the Night".

Various Artists - Alligator Records 45th Anniversary Collection (2016) {2CD Alligator Records ALCD 127/28}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.10 Gb | MP3 @320 -> 376 Mb
Full Artwork @ 300 dpi (jpg) -> 47 Mb | 5% repair rar
© 2016 Alligator Records | ALCD 127/28
Blues

It’s been 45 years since Hound Dog Taylor & The Houserockers entered a Chicago recording studio to cut the album that would change the face of American music forever. That self-titled release came out in August 1971 and launched an American institution, Alligator Records. Label boss Bruce Iglauer ran the operation from an efficiency apartment in the Windy City. In the subsequent decades, his imprint would issue roughly 300 titles, including releases from Koko Taylor, Albert Collins, Luther Allison, and Lil’ Ed and The Blues Imperials, among many, many others. When quality blues records were hard to come by and majors turned their attention to the latest fashions, Iglauer stuck it out, giving a loyal fan base music they didn’t know they were missing. To see the Alligator logo on an album’s spine meant you were getting something handpicked from a friend who loved that music as much as you did. Maybe even more.