Circuit 2015

Robert Earl Keen - Happy Prisoner: The Bluegrass Sessions (2015) {Dualtone Records 80302-01685-27}
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© 2015 Dualtone Music | 80302-01685-27
Bluegrass / Country / Country Folk / Folk / Progressive Country / Americana

Robert Earl Keen has been playing the Texas singer/songwriter circuit for over three decades, and as a guy who often favors the acoustic side of the country and Americana music scenes, it's no kind of surprise that he's crossed paths with the bluegrass music community, and it certainly makes sense that he's a fan. What is a bit of a surprise is not that Keen has decided to cut a bluegrass album, but that the respected tunesmith has chosen to make it a collection of covers rather than writing a new set of songs.

Delirium is an important band in the history of Italian progressive rock music, having been active since 1970. They originally formed in Genoa during the late 1960s as I Sagittari and their line-up consisted of Ettore Vigo (keyboards), Peppino Di Santo (drums, vocals), Mimmo Di Martino (acoustic guitar) and Marcello Reale (bass). The later arrival of Ivano Fossati (vocals, keyboards, flute) completed the band, whose early musical style was a mix of the so-called Italian melodic tradition and UK progressive influences, in particular King Crimson and Colosseum.
Their first album, the rough-hewn ''Dolce Acqua'' (1971), was one of the earliest Italian progressive albums and is a conceptual suite with each of its eight movements being based on different human emotions…

The mighty Fudge is back with their heaviest album to date, a collection of brilliant reworkings of classic tracks from that pivotal year in music 1967! These classic rock icons are keeping the spirit of real rock music alive with their own versions of The Box Tops The Letter, Procol Harum s Whiter Shade Of Pale, The Who s I Can See For Miles, Spencer Davis Group's Gimme Some Lovin and lots more! Vanilla Fudge was one of the few American links between psychedelia and what soon became heavy metal. While the band did record original material, they were best-known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic proportions and bathing them in a trippy, distorted haze. Originally, Vanilla Fudge was a blue-eyed soul cover band called the Electric Pigeons, who formed in Long Island, New York, in 1965.

Camera Soul continues to thrill fans of jazz-funk and neo-soul with their third stellar studio album, 'Dress Code'! Maria Enrica Lotesoriere, lead vocalist and co-composer of Camera Soul: "To receive the call of the Lombardo Brothers with the request to become the new voice of Camera Soul was like touching the realization of a dream I had always; to make the music that I've always loved [and] to work with some of the best jazz-soul musicians on the Italian scene. It is from this life-long dream, shared with great artists, but especially great souls, that 'Dress Code' was born. We worked hard and long to put in this, our third album, every single part of us, our path, and our maturity. Because the songs are like clothes, tailored for those who compose, but also for the listener. These songs today are our best clothes, those we have chosen to wear. This is our way of dressing the soul of our listeners."

Spread A Little Happiness, is the band's 8th studio album, was recorded at Chick Corea's state of the art former studio in Hollywood, the Mad Hatter Studios, and features original tunes such as their recent single, La Dolce Vita. The 12 track album is full of classic and original songs guaranteed to bring a smile to your face. The album also features Hollywood pin-up vocal & dance group The Satin Dollz on an up-beat version of In The Mood. Being inspired by thousands of their fans constant praise of your music just makes me feel happy, lead singer Ian Clarkson commented: We listen to our fans, and wanted to create an album which gave them the very reason why they love the band's music.

Delirium is an important band in the history of Italian progressive rock music, having been active since 1970. They originally formed in Genoa during the late 1960s as I Sagittari and their line-up consisted of Ettore Vigo (keyboards), Peppino Di Santo (drums, vocals), Mimmo Di Martino (acoustic guitar) and Marcello Reale (bass). The later arrival of Ivano Fossati (vocals, keyboards, flute) completed the band, whose early musical style was a mix of the so-called Italian melodic tradition and UK progressive influences, in particular King Crimson and Colosseum.
Their first album, the rough-hewn ''Dolce Acqua'' (1971), was one of the earliest Italian progressive albums and is a conceptual suite with each of its eight movements being based on different human emotions…

The original line on Gary Clark, Jr. was that the young Texas guitarist was supposed to be the future of the blues, having been mentored by Jimmie Vaughan and Eric Clapton, but as his star rises, Clark has made it increasingly clear that his creative ambitions run a lot deeper than being the next hotshot guitar slinger. On his major-label debut, 2012's Blak and Blu, Clark demonstrated he isn't interested in following the path of blues traditionalists, and while there's plenty of great guitar work on 2015's The Story of Sonny Boy Slim, this is by no means a conventional blues album. Rather, The Story of Sonny Boy Slim is a thoughtful and passionate amalgam of African-American music past and present, and the blues is one of many crucial ingredients in the formula along with R&B, soul, rock & roll, funk, gospel, and hip-hop (the cyclical drum and guitar patterns that dominate many tracks demonstrate in themselves that the aural dividing line between blues and hip-hop isn't as wide as some like to imagine).