Charli is the third studio album by English singer Charli XCX. It was released through Asylum and Atlantic Records UK on 13 September 2019. Charli XCX's initial third studio album was planned for release in 2017, but was scrapped in its entirety following online leaks. The album will be supported by a world tour, beginning in Atlanta on 20 September 2019. Charli was preceded by the singles "1999" with Troye Sivan, "Blame It on Your Love" featuring Lizzo, and "Gone" with Christine and the Queens. Charli was also promoted by the promotional singles "Cross You Out" featuring Sky Ferreira, "Warm" featuring Haim, "February 2017" featuring Clairo and Yaeji, and "2099" also featuring Sivan. Upon release, the album was met with critical acclaim, with praise centered on the album's innovative production and songwriting.
A sort of a sequel to Gatemouth's 1974 Cajun country & western cowboy album Down South in the Bayou Country, the originally issued Bogalusa Boogie Man consists of 12 tracks performed in more or less that same vein. "Bogalusa Boogie Man" was recorded in Bogalusa, LA, during March of 1975, almost exactly one year after Bayou Country. Material for this project was composed by Danny Morrison, Red Lane, Hoyt Garrick, David Craig, Jerry Hubbard, Pat Rush, Fred Martin, and Little Feat founder Lowell George, whose "Dixie Chicken" features "vocals by everyone around in the studio, including friends and neighbors and the one and only Woody Lee Lewis." George is said to have singled out this version as his all-time favorite.
This special collector's edition contains 29 remastered recordings by Clarence “Gatemouth” Brown, consisting of a selection of the magnicent early sides released between 1947 and 1960 on the Peacock and Aladdin record labels. Several of his most famous songs and enduring singles are featured on this quintessential CD, including “Dirty Work at the Crossroads,” “Midnight Hour,” “Just Before Dawn,” and “Okie Dokie Stomp,” among others. It is truly an indispensable set for any blues and R&B devotee.
In 1997, Dave Alvin – former guitarist and songwriter with the Blasters, and one of the leading advocates of classic blues and R&B on the West Coast roots rock scene – played a special show in Long Beach, California, where he was joined by three very special guests. The fabled Texas fiddler and guitarist Clarence "Gatemouth" Brown, Chicago harmonica master Billy Boy Arnold, and San Francisco-born blues guitarist Joe Louis Walker all sat in with Alvin that evening, making for a very eventful evening for fans of blues and American roots music. The show was captured on tape, and Live in Long Beach 1997 allows listeners to hear Alvin mix it up on-stage with a few of his heroes. Songs include "Barn Burning", "Long White Cadillac", "I Wish You Would", "Chains of Love", "Jolie Blon", "Wabash Cannonball", and more.
In 1995, septuagenarian Clarence "Gatemouth" Brown moved from the independent blues label Alligator to Verve, then to the jazz division of PolyGram, part of Universal. In his five albums for the label (the last two of them released on the Blue Thumb subsidiary) – The Man (1995), Long Way Home (1996), Gate Swings (1997), American Music, Texas Style (1999), and now Back to Bogalusa – he has been able to pursue his eclectic inclinations more fully than he did when his label bosses were trying to emphasize his blues guitar playing. The center of Brown's taste is post-World War II jump blues and R&B with a distinctly Southwestern feel. Tasty as his guitar playing is, he likes to add horns and even a bit of country fiddle to the mix. As its title indicates, Back to Bogalusa particularly investigates the Louisiana influences on this Pelican State native, notably on the tracks "Going Back to Louisiana," "Breaux Bridge Rag," "Bogalusa Boogie Man," and the Cajun-styled "Louisian'".
The 23 Clarence "Gatemouth" Brown tracks (and, save one co-written tune, they are all originals) on the Rock My Blues Away compilation offer proof positive of the Texas guitarist's command of roots music. Though steeped in the blues idiom, Brown folds country, bluegrass, Cajun, rock, and even jazz into his unique brand of music, and as a six-string slinger the man is legendary. This generous set provides no shortage of evidence to these claims, packing in feel-good boogie and down-home blues amid an eclectic stylistic mix that will appeal to blues aficionados and adventurous music fans alike.