Clarence Clarity

Charli is the third studio album by English singer Charli XCX. It was released through Asylum and Atlantic Records UK on 13 September 2019. Charli XCX's initial third studio album was planned for release in 2017, but was scrapped in its entirety following online leaks. The album will be supported by a world tour, beginning in Atlanta on 20 September 2019. Charli was preceded by the singles "1999" with Troye Sivan, "Blame It on Your Love" featuring Lizzo, and "Gone" with Christine and the Queens. Charli was also promoted by the promotional singles "Cross You Out" featuring Sky Ferreira, "Warm" featuring Haim, "February 2017" featuring Clairo and Yaeji, and "2099" also featuring Sivan. Upon release, the album was met with critical acclaim, with praise centered on the album's innovative production and songwriting.

Max Ionata, Clarence Penn, Reuben Rogers - Kind of Trio (2011) {Jando Music WJ 074}
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© 2011 Jando Music / Millesuone | WJ 074
Jazz / Post Bop / Saxophone / Bass / Drums

A trio of great affection, already experienced in the past with another successful record job, this time Max Ionata, Clarence Penn and Reuben Rogers are working on an original record project using the formula of the trio.

In 1995, septuagenarian Clarence "Gatemouth" Brown moved from the independent blues label Alligator to Verve, then to the jazz division of PolyGram, part of Universal. In his five albums for the label (the last two of them released on the Blue Thumb subsidiary) – The Man (1995), Long Way Home (1996), Gate Swings (1997), American Music, Texas Style (1999), and now Back to Bogalusa – he has been able to pursue his eclectic inclinations more fully than he did when his label bosses were trying to emphasize his blues guitar playing. The center of Brown's taste is post-World War II jump blues and R&B with a distinctly Southwestern feel. Tasty as his guitar playing is, he likes to add horns and even a bit of country fiddle to the mix. As its title indicates, Back to Bogalusa particularly investigates the Louisiana influences on this Pelican State native, notably on the tracks "Going Back to Louisiana," "Breaux Bridge Rag," "Bogalusa Boogie Man," and the Cajun-styled "Louisian'".

Clarence "Gatemouth" Brown - Gate Walks to Board: 1947-1960 Aladdin & Peacock Sides (2015) {Hoodoo Records 263524}
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© 1947-60, 2015 Hoodoo Records | 263524
Blues / Rhythm & Blues / Electric Blues / Texas Blues

This special collector's edition contains 29 remastered recordings by Clarence “Gatemouth” Brown, consisting of a selection of the magnicent early sides released between 1947 and 1960 on the Peacock and Aladdin record labels. Several of his most famous songs and enduring singles are featured on this quintessential CD, including “Dirty Work at the Crossroads,” “Midnight Hour,” “Just Before Dawn,” and “Okie Dokie Stomp,” among others. It is truly an indispensable set for any blues and R&B devotee.

Live set cut in Fort Worth, TX, that presents an accurate depiction of the breadth and scope of a Gatemouth Brown concert. Switching between guitar and violin, Gate offers everything from a reprise of "Okie Dokie Stomp" to a tender "Please Send Me Someone to Love" from Percy Mayfield's songbook and personalized renditions of "St. Louis Blues" and "Frankie and Johnny."

To call the multitalented Gatemouth Brown, a mainstay of the Texas music scene for over half a century, a bluesman would be inaccurate. Not completely wrong, for Brown's influence on Texas blues has been enormous, but certainly not the whole picture. On Blackjack, Brown (who sings and plays harmonica and a plethora of stringed instruments, from guitar to viola) goes from blues ("Chickenshift") to jazz ("Honey Boy," with a nice drum solo from David Peters) to country ("Dark End of the Hallway") and back again. Not every musician can handle this kind of variety, but Brown makes it work, whether it's the straight-ahead blues of "Here Am I" or "Street Corner" (which has a great harmonica intro), the Cajun-inflected "When My Blue Moon Turns to Gold Again," or the jazz-blues feel of "Tippin' In." It's easy to see, or rather to hear, why Brown has been so influential: every track on Blackjack is performed with the deft assurance of a master.