Clarence Clarity

Clarence Clarity - No Now (2015) {Bella Union}  Music

Posted by TestTickles at Oct. 3, 2018
Clarence Clarity - No Now (2015) {Bella Union}

Clarence Clarity - No Now (2015) {Bella Union}
MP3 CBR 320 kbps | RAR | 145 mb
Genre: electronic, experimental, abstract

No Now is Clarenty Clarity and Clarence Clarity is now. What I mean to say is this is an album by Clarence Clarity called No Now and Bella Union are the label now for now. Now.

Clarence Clarity - Think: Peace (2018)  Music

Posted by varrock at Oct. 8, 2018
Clarence Clarity - Think: Peace (2018)

Clarence Clarity - Think: Peace (2018)
MP3 CBR 320kbps | Tracks: 11 | 39:07 min | 90 Mb
Style: Electronic, Pop, Indie| Label: Deluxe Pain

With a maximalist approach to sound and visuals, London's Clarence Clarity reflects and embodies the hyperstimulated world of the 21st century. After playing with several bands in the 2000s, he chose Clarence Clarity as his solo moniker after deciding that "clarity" was his mantra for this project and discovering the Internet meme Sudden Clarity Clarence (which pictures a young man having an epiphany in the middle of a rave). Soon after his debut track "4GODSLUV" – which fractured and recombined elements of jungle, hip-hop, and pop in disorienting but compelling ways – appeared online in late 2012, Clarity's anonymity led to rumors that he was from Fiji or that his music was a new Jai Paul project. The Save †hyself EP, which featured "4GODSLUV" and three new songs, arrived in September 2013 on 37 Adventures. His next EP, 2014's Who Am Eye, was released by Bella Union. The label also issued his 2015 full-length debut, No Now, which Clarity described as "a constant reminder of the infinite flexibility of an absurd universe."

Lady Gaga - Dawn of Chromatica (2021)  Music

Posted by delpotro at March 14, 2022
Lady Gaga - Dawn of Chromatica (2021)

Lady Gaga - Dawn of Chromatica (2021)
EAC Rip | FLAC (tracks+log+.cue) - 359 Mb | MP3 CBR 320 kbps - 121 Mb | 00:49:49
Electronic, Pop, Female Vocal | Label: Interscope Records

A reinvention of Lady Gaga’s sixth consecutive #1 studio album Chromatica, Dawn of Chromatica is executive produced by BloodPop® and features new collaborations and remixes of the original album from Ashnikko, Bree Runway, Charli XCX, Chester Lockhart, Clarence Clarity, COUCOU CHLOE, Doss, Jimmy Edgar, Lil Texas, LSDXOXO, Mood Killer, Mura Masa, Planningtorock, and Shygirl. Many of the collaborative artists were sourced by publicly asking fans who they would like to see on this project.

Lady Gaga - Dawn Of Chromatica (2021) [Official Digital Download]  Vinyl & HR

Posted by pyatak at June 28, 2022
Lady Gaga - Dawn Of Chromatica (2021) [Official Digital Download]

Lady Gaga - Dawn Of Chromatica (2021) [Official Digital Download]
FLAC (tracks) 24-bit/44.1 kHz | Front Cover | Time - 49:46 minutes | 611 MB
Pop | Studio Master, Official Digital Download

Lady Gaga has announced the release of her ‘Chromatica’ remix album, which will be titled ‘Dawn Of Chromatica’.
Dave Alvin with Clarence 'Gatemouth' Brown, Billy Boy Arnold, Joe Louis Walker - Live In Long Beach 1997 (2015)

Dave Alvin - Live In Long Beach 1997 (2015)
with Clarence 'Gatemouth' Brown, Billy Boy Arnold, Joe Louis Walker

EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
Label: RockBeat Records | # ROC-CD-3285 | Time: 01:03:28
Blues, Roots Rock, Americana, Country Rock, Rock & Roll

In 1997, Dave Alvin – former guitarist and songwriter with the Blasters, and one of the leading advocates of classic blues and R&B on the West Coast roots rock scene – played a special show in Long Beach, California, where he was joined by three very special guests. The fabled Texas fiddler and guitarist Clarence "Gatemouth" Brown, Chicago harmonica master Billy Boy Arnold, and San Francisco-born blues guitarist Joe Louis Walker all sat in with Alvin that evening, making for a very eventful evening for fans of blues and American roots music. The show was captured on tape, and Live in Long Beach 1997 allows listeners to hear Alvin mix it up on-stage with a few of his heroes. Songs include "Barn Burning", "Long White Cadillac", "I Wish You Would", "Chains of Love", "Jolie Blon", "Wabash Cannonball", and more.
Clarence 'Gatemouth' Brown - Down South In The Bayou Country (1974) Remastered Reissue 2006 [Re-Up]

Clarence 'Gatemouth' Brown - Down South In The Bayou Country (1974) Reissue 2006
EAC | FLAC | Image (Cue&Log) ~ 342 Mb | Mp3 (CBR320) ~ 118 Mb | Scans ~ 65 Mb | Time: 00:48:50
Electric Texas Blues, Swamp Blues, Country Soul, Southern Rock | Maison De Blues | # SSC 3046

Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy of Bob Wills), Clarence "Gatemouth" Brown's 1975 Barclay album Down South in the Bayou Country completely transcends any and all attempts to confine this diverse artist within the artificial parameters of blues or any other preordained category. Consisting mostly of songs written by Hoyt Garrick, Jr., Charles Gressett, and David Craig with additional tunes by J. Loyd and Joe Stampley, this pretty parfait of country & western, Southern rock, cowboy hoedown, and electric Cajun soul music was recorded during February and March 1974 in Bogalusa, LA. Gatemouth, fresh from his tenure as Deputy Sheriff of San Juan County, NM, sounds particularly pleased to be active at the center of a project so completely infused with authentic Southern sensibilities. Perhaps the most satisfying track off of the original album is "Loup Garou." This hoodoo funk ritual with background vocals by Geraldine "Sister Gerry" Richard sounds as if it might have been influenced by Dr. John's "Loop Garoo," which had appeared on that artist's Atco album Remedies in 1970.

Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)  Music

Posted by Designol at March 31, 2022
Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)

Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)
EAC | FLAC | Image (Cue&Log) ~ 379 Mb | Mp3 (CBR320) ~ 132 Mb | Scans ~ 64 Mb
Label: Black & Blue (The Definitive Black & Blue Sessions) | # BB 936.2 | Time: 00:57:33
Modern Electric Texas Blues, Rock & Roll, Rhythm & Blues, Jazz-Blues, Swing

A fresh sort of setting for Clarence Gatemouth Brown – as the session focuses his bluesy talents on the music of Louis Jordan – a combination that comes across surprisingly well on this early 70s set! The tunes are mostly numbers from the 40s vintage of Jordan's big years of recording – but they're nicely recast here in a smaller combo mode, with more distinct touches of electric blues and jazz – thanks to Brown's work on guitar, the Hammond of Milt Buckner, and tenor of Arnett Cobb! Clarence takes the tunes in an easygoing vocal style that's maybe more his own than Jordan's – which is a great way to change up the tunes – and titles include "Ain't Just Alike A Woman", "Somebody Done Changed The Lock Of My Door", "Salt Pork West Virginia", "It's A Low Down Dirty Shame", and"Is You Is Or Is You Ain't My Baby".

Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)  Music

Posted by Designol at June 19, 2022
Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)

Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)
EAC | FLAC | Image (Cue&Log) ~ 352 Mb | Mp3 (CBR320) ~ 182 Mb
Label: Blue Thumb | # 547 536-2 | Time: 00:55:37 | Scans included
Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues

Clarence "Gatemouth" Brown was 74 when he recorded American Music, Texas Style, and the Texas bluesman made it clear that he still had plenty of energy. On this CD, Brown really emphasizes his love of jazz. Young hard bop players like trumpeter Nicholas Payton and alto saxman Wes Anderson are on board, and the veteran singer/guitarist offers no less than three standards from Duke Ellington's repertoire ("I'm Beginning to See the Light," "Don't Get Around Much Anymore," and son Mercer Ellington's "Things Ain't What They Used to Be") and two classics from Charlie Parker's years with Jay McShann ("Hootie Blues," "Jumpin' the Blues"). Meanwhile, the jazz influence is hard to miss on such fast jump blues as "Rock My Blues Away" and "Without Me Baby." Brown's voice is thinner than it used to be, but his guitar playing is as energetic as ever. While this CD isn't definitive, it's a good, solid effort that Brown can be proud of.

Clarence 'Gatemouth' Brown - One More Mile (1983)  Music

Posted by Designol at June 15, 2022
Clarence 'Gatemouth' Brown - One More Mile (1983)

Clarence 'Gatemouth' Brown - One More Mile (1983)
EAC | FLAC | Image (Cue&Log) ~ 295 Mb | Mp3 (CBR320) ~ 121 Mb
Label: Rounder | # CD 2034 | Time: 00:39:48 | Scans included
Modern Electric Texas Blues, Jazz-Blues, Cajun

For his second Rounder album, Clarence "Gatemouth" Brown offers his "World Music Texas Style" - a compelling synthesis of blues, jazz, Cajun music and even a touch of country. With horn arrangements by Bill Samuel and Homer Brown, the album is a showcase for Gate's virtuoso abilities as a guitarist and violinist, which always tap his blues roots while offering constant musical surprises. 1983 Grammy Award finalist.

Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999  Music

Posted by Designol at June 13, 2022
Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999

Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999
EAC | FLAC | Image (Cue&Log) ~ 290 Mb | Mp3 (CBR320) ~ 126 Mb | Scans included
Label: Sugar Hill | # SHCD-3891 | Time: 00:45:08
Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues, Cajun

To call the multitalented Gatemouth Brown, a mainstay of the Texas music scene for over half a century, a bluesman would be inaccurate. Not completely wrong, for Brown's influence on Texas blues has been enormous, but certainly not the whole picture. On Blackjack, Brown (who sings and plays harmonica and a plethora of stringed instruments, from guitar to viola) goes from blues ("Chickenshift") to jazz ("Honey Boy," with a nice drum solo from David Peters) to country ("Dark End of the Hallway") and back again. Not every musician can handle this kind of variety, but Brown makes it work, whether it's the straight-ahead blues of "Here Am I" or "Street Corner" (which has a great harmonica intro), the Cajun-inflected "When My Blue Moon Turns to Gold Again," or the jazz-blues feel of "Tippin' In." It's easy to see, or rather to hear, why Brown has been so influential: every track on Blackjack is performed with the deft assurance of a master.