Classic Cuts No.1

Many years ago there was a thriving Queen market for silver discs with labels such as Gypsy Eye, Queen Digital Archives and Wardour pumping out many interesting titles each month. These days Wardour produce a couple of titles per year (and not very good ones at that) and both Gypsy Eye and QDA are gone leaving on Tarantura, trolling the vast Mr. Peach tape archive, as the sole provider of great Queen silver titles. Rare Cuts Vol. 1-6 is the releases of a new Queen-dedicated label Master Stroke. Like QDA a decade ago, their initial efforts focus upon collecting upgrades of very common material and mixing up with much more rare tracks…

In 1957, the bop was a "Hot teen-age dance". Ray Conniff had been making waves with his new style of music for a couple of years. It's too bad that "DANCE TO THE BOP" didn't make it big when it was first released by COLUMBIA RECORDS, but this re-issue is better than I remember. This swingin' collection is still very danceable and it's obvious that Conniff got his inspiration from Country, Rock'n Roll and Rhythm and blues of the era. Ray's trombone is heard throughout the arrangements and he can be heard (on a couple of cuts) singing with his own playing. This effect produced a new and fascinating tonal color for the era that is still very vivid today. This CD also included Conniff "En Espanol". This album was recorded in Mexico in 1966. It's fun to hear "Days Of Wine And Roses" in Spanish. What sells this CD are the first 12 cuts. I recommend this CD highly to anyone that loved the early Conniff sound.
- By Ken Rogers-

The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz.

Legacy’s The Classic Albums Collection 1974-1983 should provide endless hours of arena/prog/AOR-pop bliss for fans of Kansas, as it features ten of the band’s career-defining albums, including an expanded edition of the live album Two for the Show. Each studio album (Kansas, Song for America, Masque, Leftoverture, Point of Know Return, Monolith, Audio Visions, Vinyl Confessions, and Drastic Measures) has been remastered and peppered with bonus cuts, and all of the original album artwork has been lovingly reproduced. Best of all, the box set is priced to move. Kansas is an American rock band that became popular in the 1970s initially on album-oriented rock charts and later with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". The band has produced nine gold albums, three multi-platinum albums (Leftoverture 6x, Point of Know Return 4x, The Best of Kansas 4x), one other platinum studio album (Monolith), one platinum live double album (Two for the Show), and a million-selling single, "Dust in the Wind".

Legacy’s The Classic Albums Collection 1974-1983 should provide endless hours of arena/prog/AOR-pop bliss for fans of Kansas, as it features ten of the band’s career-defining albums, including an expanded edition of the live album Two for the Show. Each studio album (Kansas, Song for America, Masque, Leftoverture, Point of Know Return, Monolith, Audio Visions, Vinyl Confessions, and Drastic Measures) has been remastered and peppered with bonus cuts, and all of the original album artwork has been lovingly reproduced. Best of all, the box set is priced to move. Kansas is an American rock band that became popular in the 1970s initially on album-oriented rock charts and later with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". The band has produced nine gold albums, three multi-platinum albums (Leftoverture 6x, Point of Know Return 4x, The Best of Kansas 4x), one other platinum studio album (Monolith), one platinum live double album (Two for the Show), and a million-selling single, "Dust in the Wind".

The piano concerto in D minor was composed between 1931–1935 and premiered on November 23, 1935, by the Helsinki Philharmonic Orchestra conducted by Toivo Haapanen, with Ernst Linko as the soloist. The concerto is preserved only as a piano reduction and instrument parts, but the original score is lost. The piano part contains several cuts and facilitations by the 1935 soloist, while the instrument parts show no omissions. The most probable result was that the orchestra played some passages without the soloist. For this recording, Leiviskä’s original solo part was restored. Several reviews, mostly under pseudonyms, discussed the symphony after its first performance.

To the heavy metal and hard rock masses, Richie Kotzen is probably best known as the six-string-shredding "hired gun" for such pop-metal outfits as Poison and Mr. Big. But before landing gigs with those two already-established outfits, Kotzen was a solo artist – issuing releases via the Shrapnel label, and landing quite a bit of coverage in guitar magazines at the time. On his 2005 solo outing Acoustic Cuts, Kotzen decided to switch gears, as he traded his trusty electric instrument for an acoustic. It's understandable to assume that the results on Acoustic Cuts will reflect when past pop metallists attempted to show their sensitive side via acoustic-based power ballads.

Released as a companion to the expanded Queen reissues of 2011, the Deep Cuts series digs deep into the classic rock band’s albums, culling a collection of overlooked fan favorites. This was somewhat easier to do on the first two volumes, which covered the group’s heyday, but Vol. 3 rounds up highlights from 1984-1995, when Queen weren’t anywhere near their prim…