Classic Ford From June 2015

Mosaic is very pleased to present "The Complete Bee Hive Sessions." Spanning 1977 to 1984, they include so many names you will know and so much music, you won't believe you haven't heard it. This set includes 110 tracks on 12 CDs, including six tracks released only on a rare sampler and three tracks previously unissued. The deluxe booklet features an historical essay and track-by-track analysis by Aaron Cohen, plus rare photographs from the actual sessions. All sessions have been added their corresponding tracks from the 17th. LP, "The Unissued Sessions" to make a truly comprehensive set! Johnny Hartman’s album "Once in Every Life" (his next-to-last album as he made a record for Audiophile 12 days later) had never been reissued on CD at the right speed at which ace engineer Ben Rizzi recorded the sessions until this Bee Hive collection.

William McKinley "Red" Garland, Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of piano playing. William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined a well-known trumpet player in the southwest - Hot Lips Page, playing with him until a tour ended in New York in March 1946. Having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with Blakey's boss, Billy Eckstine. Garland also had short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson.

The Black Crowes live at the Trump plaza, Atlantic City broadcast, 1990.
At the time of their 1990 debut, the kind of rock & roll the Black Crowes specialized in was sorely out of style. Only Guns N' Roses came close to approximating a vintage Stones-style raunch, but they were too angry and jagged to pull it off completely. The Black Crowes, on the other hand, replicated that Stonesy swagger and Faces boogie perfectly.

In his 2015 memoir Unfaithful Music and Disappearing Ink, Elvis Costello recalled an early gig at the British Legion Hall "on the posh side of Birkenhead Park" in Birkenhead, Merseyside. "I can't say my set was a triumph," he wrote. "I went off to a round of feeble applause from a handful of pensioners supping mild beer and a smattering of teenagers in army petticoats drinking cider.

Tyler Morris has been playing guitar at a professional level since he was 11, and at the ripe old age of 19 is about to release his third album internationally. But Tyler is not just another young musical genius — his gift runs deeper than an amazing set of ears paired with two very skillful hands. Ever since he picked up a guitar, Tyler has been driven to get to the roots of the songs and styles he learns and absorbs, and to reflect his huge and growing body of influences onto his own interpretations and eventually, his own compositions.