Classic Guitar Technique Volume I

Building Harmonica Technique Volume 1 & 2 & 3 & 4 - by David Barrett (2006)

Designed to augment level 2 of David Barrett's Harmonica Masterclass Series, this video bridges the gap between what can be studied at home and what can only be learned in private lessons. Fantastic visuals and camera close-ups ensure that even the smallest details are seen. Topics include how to practice, holding the harmonica, memorizing the harp, and several lessons on embouchure, articulation, properties of a bend, draw bend embouchure, articulating the bend, blow bending, over-bends, vibrato types, music theory, 12-bar blues, and soloing scales.

Johnny Smith - The Complete Roost Johnny Smith Small Group Sessions (1952-64) {8CD Box Set Mosaic MD8-216 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.55 Gb | MP3 @320 -> 1.29 Gb
Full Artwork @ 600 dpi (jpg) -> 67 Mb | 5% repair rar | 24-bit remaster
© 1952-64, 2002 Roost / Mosaic Records / EMI | MD8-216
Jazz / Cool / Guitar

Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.

During the last few years of his life, guitarist Joe Pass enjoyed having reunions with the same musicians who played with him 25 years earlier for the classic For Django recording: rhythm guitarist John Pisano, bassist Jim Hughart and drummer Colin Bailey. This 1989 recording could almost be called For Django 2, for it is the same vein as the original. Pass takes his remake of "For Django" unaccompanied and performs four of Django's tunes, along with five standards from the 1930s and three originals. Pisano, who was instrumental in organizing the session and the repertoire, sticks to acoustic guitar, while Pass alternates between acoustic and electric. Although Joe Pass' main influence was Charlie Christian and he really does not sound like Reinhardt, he manages to evoke the spirit of Django while swinging in his own fashion. It is particularly nice hearing such tunes as "Belleville," the haunting "Tears" and "For Django" in newer versions.

This is a typically tasteful Kenny Burrell record (reissued on CD) with the guitarist mostly emphasizing ballads. Five of the seven songs (which include "Make Someone Happy," "Since I Fell for You" and the theme from "A Streetcar Named Desire") find Burrell assisted by pianist Richard Wyands (who also played electric piano), bassist Reggie Johnson and drummer Lenny McBrowne. "'Round Midnight" is played by Burrell with pianist Joe Sample, bassist Johnson and drummer Paul Humphrey while "Blues in the Night" is an unaccompanied guitar solo. Although the music overall is well-played, no real sparks fly and the results often border on being sleepy.