The last official album by the Clifford Brown/Max Roach Quintet is the only one that featured the great Sonny Rollins on tenor. With pianist Richie Powell and bassist George Morrow completing the group, this date is a hard bop classic. Brownie and Rollins fit together perfectly on memorable versions of "What Is This Thing Called Love," "I'll Remember April," and a witty arrangement of "Love Is a Many Splendored Thing."
“What was immediately striking was the fresh sound of the quintet. The remarkable empathy within the group, the careful selection of material and the exciting arrangements by Powell all contributed mightily to that sound. Clifford Brown had come into his own as composer as “Sweet Clifford,” “Joy Spring” and “Daahoud” demonstrate. It didn’t hurt that Roach and Brown were complete originals and among the greatest performers on their instruments.
Although Clifford Brown did a phenomenal amount of commercial recordings during his all too brief lifetime (he died prior to his 26th birthday in a car crash that also took the life of his quintet's pianist Richie Powell, Bud's younger brother), relatively few of the recordings he made were on stage. Fortunately, this CD includes performances from two 1956 broadcasts from the old Basin Street club in New York City, and two tracks from a Carnegie Hall concert the previous year. Although the MC talks over some of the music and the fidelity is typical for Airchecks preserved from the era (distorted rhythm section, barely audible piano and bass), the strong playing of both Brown and tenor saxophonist Sonny Rollins still comes through the noisy clutter.
At the end of 1955, Sonny Rollins replaced Harold Land as the saxophonist in the Brown-Roach quintet. Rollin’s style proved a perfect fit for the group’s equilibry betwen fast and slow tunes...
Although undoubtedly an expensive acquisition, this ten-CD set is perfectly done and contains dozens of gems. The remarkable but short-lived trumpeter Clifford Brown has the second half of his career fully documented (other than his final performance) and he is showcased in a wide variety of settings. The bulk of the numbers are of Brownie's quintet with co-leader and drummer Max Roach, either Harold Land or Sonny Rollins on tenor, pianist Richie Powell, and bassist George Morrow (including some previously unheard alternate takes), but there is also much more.