Closing With The Enemy

Countering the widely held belief that U.S. forces in Europe-often viewed as inferior to their German counterparts-prevailed in WWII because of a preponderance of material resources, Doubler's study reveals that Gen. Dwight Eisenhower's divisions had to overcome substantial shortages of personnel and material. Their success, he demonstrates, was due largely to their coordinated use of infantry, tanks, artillery, air power and military engineers. Tracing their advance from Normandy into Germany, Doubler's clear account shows how the Army's tactics validated then-current doctrines while at the same time the troops learned how to apply new principles of combined-arms warfare. His main argument-that U.S. Army forces in Europe were more effective than is generally recognized-is convincing. One chapter analyzes the publications of notable military writers Russell Weigley, Martin Van Creveld and S.L.A. Marshall, whose views differ from his. Doubler has taught at West Point and is currently stationed at Army headquarters in Washington, D.C. Illustrations.

It's the close of World War II. Unwilling to surrender, rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears, both internal and external, to defeat the enemy and make it back to friendly territory alive.

This lush, Technicolor tragic romance from Luchino Visconti stars Alida Valli as a nineteenth-century Italian countess who, during the Austrian occupation of her country, puts her marriage and political principles on the line by engaging in a torrid affair with a dashing Austrian lieutenant, played by Farley Granger. Gilded with ornate costumes and sets and a rich classical soundtrack, and featuring fearless performances, this operatic melodrama is an extraordinary evocation of reckless emotions and deranged lust, from one of the cinema’s great sensualists.