New ABKCO collection includes band's discography from early Sixties through 1969 alongside compilation of singles and non-album songs
Back in the late 1960s, Solid State put out four LPs in their series Jazz for a Sunday Afternoon. The five titles with Dizzy Gillespie have been more recently reissued on a two-CD Blue Note set titled Live at the Village Vanguard. Laserlight improves upon the packaging by including two additional titles (from Vol. 3) on their first two CDs; unfortunately, the two lengthy songs ("Satin Doll" and "Straight No Chaser") from a Harry "Sweets" Edison date that comprised Vol. 4 remain out of print. The first disc of this three-CD set has a very interesting, if sometimes erratic date matching Gillespie with violinist Ray Nance (sometimes replaced by trombonist Garnett Brown), baritonist Pepper Adams, pianist Chick Corea, bassist Richard Davis, and either Mel Lewis or Elvin Jones on drums. Nance's violin playing is adventurous and eccentric, and there are some loose moments, but Dizzy holds the music together and Pepper Adams is in top form.
Anthrax is an American heavy metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group was considered one of the leaders of the thrash metal scene during the 1980s and is one of the "Big Four" thrash metal bands with Metallica, Megadeth, and Slayer; Anthrax is the only one of the four from the East Coast. As of April 2017, the band has released 11 studio albums, several other albums, and 26 singles, including collaborating on a single with American hip hop group Public Enemy. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, with worldwide sales of 10 million…
This solid collection may strike June Christy fans as a little ironic because rather than stock her albums with standards the way that most of her peers did, the West Coast jazz vocalist was known for unearthing new and obscure songs. It's not that Christy neglected standards (in fact she recorded dozens of them over her 12-year run with Capitol Records), it's just that one gets the feeling that when she sang something like "I'm Glad There Is You" it was because she had something fresh or unique to bring to it. And she does put her own personal and idiosyncratic stamp on 20 of the songs here while two tunes haven't been recorded enough to become standards (the undeservedly obscure "Cry Like the Wind" and the swing-era novelty "Bei Mir Bist Du Schon"). So, when you add the song selection to the fact that this disc features the vocalist in orchestral, small-group jazz and big-band settings, the disc not only offers a much more complete portrait of the artist than the title suggests, but this is also one of the strongest entries in EMI's Sings the Standards series.
This compilation has all of the music formerly on singer June Christy's two 1957 Capitol LPs, Fair and Warmer! and Gone for the Day, both of which have Pete Rugolo arrangements. The former set (which is actually programmed second) finds Christy joined by a 12-piece group of mostly West Coast all-stars. The backup players include trumpeter Don Fagerquist, trombonist Frank Rosolino, altoist Bud Shank, and Bob Cooper on tenor, but they are mostly restricted to short statements. Christy is in excellent form on such numbers as a definitive (but very brief) "I Want to Be Happy," "When Sunny Gets Blue," and "It's Always You." Three different groups are used on the Gone for the Day set, two of which have string sections, while the other uses five trombones.
The warm and tuneful music of Atterberg – one of Sweden’s leading composers in the twentieth century – meets the idiomatic spirit and commitment of the Gothenburg Symphony Orchestra conducted by Neeme Jarvi, for volume four in this series. The third of his nine symphonies, featured here, is a set of three ‘West Coast Pictures’. These contrasted movements (‘Summer Haze’, ‘Storm’, and ‘Summer Night’) were inspired by the atmosphere and landscape of the archipelago on the Swedish west coast and written between 1914 and 1916.
Séga is the traditional music of Mauritius (a small island off the coast of Madagascar) and is known as the “blues” of the Indian Ocean. The music was born during the 17th to 19th centuries by African slaves seeking relief from harsh conditions in sugar cane fields and on colonial land by dancing to improvised music incorporating rhythms from their homelands in West Africa, Mozambique, Zanzibar or Madagascar. From these diverse African influences sprang a new, insular dance and music, the séga.
Recorded the same week as Getz/Gilberto '76, Resonance Records' companion album, 2016's Moments in Time, captures saxophonist Stan Getz performing live at San Francisco's Keystone Korner in May 1976. To celebrate the release of Getz's reunion album with Brazilian singer/guitarist João Gilberto, 1976's The Best of Two Worlds, the saxophonist booked a week of shows at the Keystone backed by his quartet and featuring Gilberto. Whereas Getz/Gilberto '76 showcases the Gilberto performances, Moments in Time finds Getz appearing alone with his band, featuring pianist Joanne Brackeen, drummer Billy Hart, and bassist Clint Houston. Despite the wealth and fame he accumulated from his initial 1960s bossa nova albums, Getz remained a creatively restless, forward-thinking artist over the coming years.