Cohen Introducing Triveni

Leonard Cohen seems singularly determined to document his adventures in live performances which began when he returned to the concert stage in 2008, and Live in Dublin is the third live album Cohen has released in just five years. Given how satisfying 2009's Live in London was, one might reasonably wonder how badly one would need another concert souvenir, especially in such a short period of time, but comparing Live in Dublin with Live in London and 2010's Songs from the Road, one can readily see how Cohen's live show has seasoned since he returned to duty…

Corruption? Betrayal? Persecution? Tyranny? These subjects resonate with the current events of the twentieth and twenty-first centuries. They also provide the subject matter of many seventeenth-century musical works. Kate Lindsey has chosen to devote this second Baroque recital with the English ensemble Arcangelo directed by Jonathan Cohen (following Arianna in 2020, ALPHA576) to the figure of Nero. Scarlatti, Handel and Monteverdi wrote works focusing on this tragic protagonist and his entourage, including his mother Agrippina and his wives (Poppaea and Octavia). Interpreted with incredible intensity by the American mezzo-soprano, the programme features world premiere recordings of two cantatas: Alessandro Scarlatti’s La morte di Nerone (c.1690) and Bartolomeo Monari’s La Poppea (1685). Tenor Andrew Staples and soprano Nardus Williams join Kate Lindsey for duets from L’incoronazione di Poppea, including the sensual ‘Pur ti miro’.

Beautiful 2008 five CD box containing digitally remastered editions of a quintet of seminal Leonard Cohen albums: Songs of Leonard Cohen (1968), Various Positions (1985), I'm Your Man (1988), The Future (1992) and Ten New Songs (2001). 46 tracks including 'Suzanne', 'Tower Of Song', 'Sisters Of Mercy' and 'First We Take Manhattan'. Columbia.

A limited guitar player at best, and with a voice that hardly spans a couple of octaves, Leonard Cohen has nonetheless fashioned a legacy of gorgeously realized songs that reach deep into the heart of lust, ill- and well-fated romance, hope, and redemption, and if he doesn't sing like an angel, he could certainly mesmerize one with the melody, lilt, and power of his songs…

Following in the footsteps of your father is a difficult task, particularly if your father is someone as darkly gifted and idiosyncratic as Leonard Cohen. Adam Cohen, however, is sharp enough to avoid being pegged as a "new Leonard Cohen." That doesn't mean he establishes himself as an individual musical talent on his eponymous debut. Cohen does occasionally flirt with the somber poetry his father made famous, but his music is altogether more polished, sounding like smooth adult contemporary instead of haunted folk. That would have been forgivable if the songs actually said something. Instead, Cohen wallows in sophomoric poetry and insights that are far removed not only from his father's work, but most of his late-'90s peers. There is some promise in his melodies, as in "Tell Me Everything," but for the most part, Adam Cohen delivered his debut album before his talent had truly gestated.

The alluring voices of Tassis Christoyannis and Véronique Gens immerse the listener in the atmosphere of the nineteenth-century Parisian salons and the mélodies performed there. The composer and organist César Franck, famed for his instrumental music, proves himself equally skilled in setting poems by Musset, Hugo, Chateaubriand, Daudet and Dumas. This first complete recording of his works for voice and piano ranges over his entire creative life.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings. The range and diversity of the soprano saxophone is stunning, from Cohen’s arrangement of Percy Grainger’s Arrival Platform Humlet (solo soprano saxophone) to Amanda Harberg’s first piece for saxophone, Feathers and Sax, (soprano saxophone and piano) and Jeff Scott’s new work The Gift of Life (piccolo, soprano/alto saxophone and piano). SOPRANO SUMMIT is both a celebration of the soprano saxophone as a concert instrument and a revelation of new, lost, revived, and beloved works.

On 13th October 1979, Leonard Cohen began his most extensive tour to date in support of his sixth studio album, 'Recent Songs', with a concert in Gothenburg, Sweden. Entitled 'The Smokey Life Tour', this 48-concert European leg of what would eventually become a world tour (ultimately encompassing too Australia, the USA, and in November 1980, Israel) progressed through Sweden, Norway, Denmark, France, Holland, Belgium, Germany, Switzerland, England and Ireland. This concert, from Bonn's prestigious 2,000 capacity Beethovenhalle, was recorded towards the end of the European extravaganza on 3rd December, and, as is evident, the cast were performing superbly by this juncture.