Collectif9 No Time For Chamber Music

Before the 17th century, traditional Japanese classical music was mostly sung or performed solo, in particular after the arrival of the biwa, the shakuhachi, and the koto (in versions quite different from the modern ones we know today) from China around the eighth century. The biwa accompanied singers while the two others were played solo. In the 17th century the shamisen also arrived in Japan from China and quickly became popular, taking from the biwa a place it had occupied for a long time. Chamber music in which the shakuhachi and koto joined the shamisen, with the shamisen player singing, was created at that time. Solo pieces were arranged for this trio…

This release is a truly unique collection of magical orchestral music by Charles Koechlin. November 2017 marks the 150th anniversary of Koechlin's birth, and this release includes many world première recordings. The Stuttgart Radio Symphony Orchestra and Heinz Holliger are experienced interpreters of this special repertoire.

Alkan’s chamber music deserves much more attention: It’s a crime that terrific works like his Sonate de concert for cello and piano have almost no chance to be heard. Naxos once again has raided the Marco Polo archives and resurrected this 1991 recording. There isn’t much competition available anymore, and only the 1992 Timpani recording has the same three works together in worthwhile performances. These pieces are all excellent chamber music, not to mention very difficult to play, and the Trio Alkan certainly is up to the challenge. These performers obviously appreciate the music in a way that brings out Alkan’s lyrical and whimsical qualities, which often are overlooked (or overpowered) in his piano works.

E.T.A. Hoffmann was a ‘man for all seasons’. In addition to composing music, he was an illustrator, writer, and attorney who attained a position on the Court of Appeals in Berlin. His primary legacy is in the area of German literature. He wrote many novels and stories concerned with supernatural elements and their impact on humans. Hoffmann’s most famous writings are the stories on which the French composer Jacques Offenbach based his opera "Tales of Hoffmann".
When I read a Hoffmann story, I think of the supernatural operas of Carl Maria von Weber, not Hoffmann’s most well known opera "Undine". The fact is that Hoffmann’s reputation as a composer is slight, and recordings of his works are infrequent. Even during his own lifetime, he had great trouble getting his music published.

Jos van Immerseel: “While since its foundation in 1987 Anima Eterna Brugge has grown organically into a symphonic orchestra, chamber music once again forms an important part of our repertory today. We will continue our journey through orchestral music, but want to broaden our base by including chamber music as well.”