On a rising crest of a wave, British-Italian tenor Freddie De Tommaso seems likely to add to the approving clamour that greeted last year’s debut collection of Italian songs, Passione, with this rousingly, rapturously sung sophomore survey of arias and duets by Puccini and Bizet.
In 1705, Giuseppe Sala published in Venice the Suonote do camera a tre, due violini o violone o cembalo op.1 of Antonio Vivaldi. This set of trio sonatas marked the official 'debut' of a composer who was already more than a mere youth (the 'Prete Rosso' was then 27-years old), and probably contains the earliest works of his that have come down to us. It is very likely, though, as Michael Talbot has pointed out, that the copy of 1705 is in fact a reprint of a now lost first edition published in 1703.