Colosseum Live

A chance to sit back and enjoy the “reunion era” Colosseum live on stage at the 2003 Viersen Jazz Festival performing tracks from then-new album Tomorrow’s Blues. Recorded during founder member Dick Heckstall-Smith’s  nal illness, world renowned saxophonist Barbara Thompson (Jubiaba, Paraphernalia) steps in. The result is a powerful performance from Barbara, Clem Clempson (guitar), Dave Greenslade (keyboards), Mark Clarke (bass), Chris Farlowe (vocals) and bandleader Jon Hiseman (drums). Alongside newer material including ‘I Could Tell You Tales’, the ensemble return to their Prog roots with a captivating rendition of ‘The Valentyne Suite’ and an epic ‘Lost Angeles’ (the latter  rst released on their 1970 album The Grass Is Greener). ‘In The Heat Of The Night’ gives full rein to Farlowe’s mastery of the blues as Colosseum reinterpret Ray Charles’ original with some note-bending licks from Clem and Barbara’s sultry sax underpinning the closing number. Interspersed with interview footage with Jon Hiseman in which he explores the band’s musical complexity and continuing popularity in light of their decision to reform in 1994, this beautifully packaged CD/DVD presentation is a must for all Colosseum fans. As Hiseman explains: “You have to feed this creature. If you don’t feed it, it dies. Also, you can’t make it do, what it doesn’t want to do.”

Live albums are dangerous things. While the good ones capture the raw excitement of a show, all too often they expose a band's weaknesses, the ones that get covered in the studio – a singer who's not so good and instrumentalists who really can't cut it. But Colosseum, by the time they made their live album (the CD version comes with an extra track, "I Can't Live Without You," that wasn't on the original vinyl), were a seasoned outfit with some top-notch performers. In veteran Chris Farlowe they had a blues belter who could also turn his hand to jazz. Dave "Clem" Clempson was a rock guitarist first and foremost, but not limited to that, and bassist Mark Clarke was exactly the elastic foil drummer Jon Hiseman needed in the rhythm section.

Essential: a masterpiece of progressive rock music.
When speaking of Progressive music, in general I prefer studio albums to lives because the studio work allows the artists to put as many details as they want in their music.