Complete Recordings on Deutsche Grammophon

Deutsche Grammophon presents a 22CD set spanning the greatest recordings of Pinchas Zukerman, featuring the original cover art of the albums, new liner notes by Norbert Hornig and many photos. Between 1974 and 1996 Pinchas Zukerman recorded 22 albums for DG and Philips (three for Decca), mainly as solo violinist but also as solo violist and as conductor, working closely with both the Los Angeles Philharmonic and the St. Paul Chamber Orchestra.

Rafael Kubelik truly remains a conductor for the here and now, with his classic recordings of Beethoven, Dvorak, Mahler, Janáček, Orff and Smetana cycles setting the gold standard. His approach to phrasing and keen attention to orchestral inner frameworks left no musical stone unturned. Kubelík is the last of the great conductors from Deutsche Grammophon's early stereo age to receive the "Complete Edition" treatment. This 64CD + 2DVD box set gathers the entirety of Kubelík's recordings for the Yellow label which are united for the first time in one package. All of the albums are presented with their original cover.

Deutsche Grammophon has created a landmark new edition that offers a cross-section of the great German conductor’s career in all its remarkable creative phases. Wilhelm Furtwängler – Complete Recordings on Deutsche Grammophon and Decca, which commemorates the 65th anniversary of his death on November 30, 1954, comprises 34 CDs and a DVD of his irresistible 1954 Salzburg Festival Don Giovanni performance, as well as in-depth essays and analysis from critic and blogger Norman Lebrecht and broadcaster Rob Cowan. The release is also backed by contextual information and video interviews contributed by critic and blogger Norman Lebrecht.

In March 2017, Mstislav Rostropovich would have turned 90. To celebrate this anniversary of one of the greatest cellists of all time, Deutsche Grammophon presents a truly encyclopaedic boxset which for the first time brings together Slavas complete recordings for Decca, Philips, and the Yellow Label (as cellist, pianist & conductor).

Itzhak Perlman must surely be considered one of the most popular violinists currently performing and recording, perhaps even one of the most beloved. His triumph over polio, which he contracted at age four, his warmth and engaging personality, his constant emphasis on teaching, have all contributed to his popularity. In honor of his approaching 70th birthday (August 31, 1945), DGG is releasing this limited edition 25 CD box set: Itzhak Perlman Complete Recordings on Deutsche Grammophon. Between 1968 and 2001, Perlman recorded 25 albums for DGG and Decca - many of them now considered to be classics.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.