In a world narrative dominated and controlled by powerful, wealthy individuals with vested interests in skewing the truth, what trust can be placed in our governments, our leaders and our sources of information to guide us to evolve as a species?
"I felt totally unrestrained making this album" says Lindstrøm about his 6th solo album On A Clear Day I Can See You Forever (a title inspired by the 1970’s musical On A Clear Day You Can See Forever starring Barbra Streisand). "I’ve listened to Robert Wyatt's solo albums and his Matching Mole’s debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." In the autumn of 2018, Lindstrøm composed a commissioned piece for Norway’s premiere art centre Henie Onstad Kunstsenter. Sketches from the three sold-out performances became the foundation for the new tracks. "I decided to keep some of the initial ideas and develop them further. All the songs are based on long one-take recordings", says Lindstrøm "Also I’ve been very conscious about the music on the album not exceeding the length of the physical limitations of the vinyl-format, finding that 2 long tracks on each side were the perfect balance for this album."
Killer selection of boogie-disco and early electro templates from a golden, foundational era of Afro Futurist space exploration.
I Trawl the Megahertz, Paddy McAloon's first solo album, is as likely to perplex and infuriate as it is likely to stun and spellbind. Grand, heavily orchestrated, predominantly instrumental, and not the type of thing you put on prior to going out or when you're in the mood for cleaning the house, the record is incredibly powerful – almost too powerful – even when held up against everything from Prefab Sprout's past. The most significant song is the opener; 22 minutes in length, it's nearly elegiac in it its mournful tones played out by a swaying string arrangement and a weeping trumpet. Throughout its duration, Yvonne Connors speaks matter-of-factly – yet dramatically enough to be poignant – as she rifles through fragments of her memory, the most disarming of which reads like this: "I said, 'Your daddy loves you very much; he just doesn't want to live with us anymore.'"
Another brilliant disc of computer music from Paul Lansky, who writes: "I look forward to the day when nobody cares whether or not a computer was used in the process of making a piece.If any kind of music is to survive it has to hide its technology, so to my mind, 'Computer Music' should become irrelevant as a category.
SoulMusic Records is very proud to present a deluxe 2-CD expanded edition of the 1986 self-titled Elektra Records debut album by soul/gospel singer/songwriter Shirley Murdock, whose work with ‘80s funk group Zapp and Roger Troutman first brought her to international prominence in 1984.