On November 29, 2002, one year after the passing of George Harrison, Olivia Harrison and long-time friend Eric Clapton organized a performance tribute in his honour. Held at London's Royal Albert Hall, the momentous evening featured George's songs, and music he loved, performed by a line-up that included Eric Clapton, Jools Holland, Jeff Lynne, Paul McCartney, Monty Python, Tom Petty, Billy Preston, Ravi and Anoushka Shankar, Ringo Starr, Dhani Harrison and many more.
Concert for George is a live tribute soundtrack album in honour of George Harrison, issued in 2003 in conjunction with the simultaneous DVD release of the same name. Featuring performances of many of Harrison's best-known songs, played by his closest musician friends, Concert for George is considered a fitting and heartfelt celebration of Harrison's considerable career…
The Concert for Bangladesh was the first benefit concert of its kind, in that it brought together an extraordinary assemblage of major artists collaborating for a common humanitarian cause, setting the precedent that music could be used to serve a higher cause. Bob Dylan, Ravi Shankar, Eric Clapton, Ringo Starr, Billy Preston and Leon Russell all took part. The concert sold out Madison Square Garden and along with the Grammy award-winning triple-album boxset, and the feature film, has generated millions of dollars for UNICEF and raised awareness for the organization around the world…
Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy…
Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy. Having been moved by his friend Ravi Shankar's appeal to help the homeless Bengali refugees of the 1971 India-Pakistan war, Harrison leaped into action, organizing on short notice what became a bellwether for the spectacular rock & roll benefits of the 1980s and beyond.
Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy…
Why yet another Messiah? ‘I went through the different scores that exist and decided on the very interesting 1754 version, which features five soloists. You must remember that, when Handel arrived somewhere to perform his oratorio, he had soloists of varying standards available to him. So he quickly revised his score accordingly… All this is directly related to the reality of Handel’s situation as a concert promoter. In those days, to earn a living from his music, a composer absolutely had to get his works performed and make a profit on the evening. The idea of not retouching a work to avoid “spoiling” or “distorting” it is a much more modern one. There must be around a dozen versions of Messiah (I won’t list them all). The 1754 version is rarely played because it calls for five soloists: two sopranos, alto, tenor and bass… I’ve opted here for an operatic interpretation, taking its cue from the drama inherent in this account of the life of Christ.