Live at Maybeck Recital Hall is an album of solo performances by jazz pianist Dave McKenna, recorded in 1989. When Joanne Brackeen first arrived at the tiny Maybeck Recital Hall for a concert in June 1989, she was so delighted with the piano and the acoustics that she insisted that Concord owner Carl Jefferson arrange to have her performance there recorded. The message hit home and over the next few years, several dozen solo piano concerts were duly recorded by the label until the hall was sold and it was no longer available for tapings. One of the first concerts to follow Brackeen's featured Dave McKenna. He seems in a particularly lyrical mood throughout this afternoon concert, though his trademark buoyant bassline is often present.
Individually, Rosemary Clooney’s albums giving tribute to the great American song-writers of approximately the middle of the twentieth century seemed interesting, and even illuminating, as she subtly evoked the intentions of those writers by her straightforward delivery of their tunes. Little did the listeners of the six CD’s in Rosemary Clooney: The Songbook Collection realize at the time of their release in 1979 and throughout the 1980’s that a larger perspective enveloped the incremental growth of Clooney’s discography focused on a single theme.
The first half of this CD is quite historic - 17½ minutes from Ernestine Anderson's comeback concert at the 1976 Concord Jazz Festival. One can feel excitement throughout the performance as the audience rediscovers the talented singer, who had not recorded in a decade. Four songs ("Don't Get Around Much Anymore," "Days of Wine and Roses," "Stormy Monday" and a soulful "Am I Blue") have swinging and stimulating accompaniment by pianist Hank Jones, bassist Ray Brown and drummer Jake Hanna, while a brief "Take the 'A' Train" has Anderson joined by Bill Berry's Big Band. The "London" half of the disc is from a year later and is more laidback and routine, although enjoyable. Backed by an English rhythm section, the singer interprets "My Romance," a four-song Duke Ellington medley, and "Love for Sale" in winning fashion. Overall, this is one of the best in Ernestine Anderson's string of Concord recordings.