Although Crosby, Stills & Nash had, in effect, been together for well over a decade when Daylight Again (1982) was issued, it was only their third studio long-player of concurrently new material.
As two of the most distinctive artists from the '60s and '70s given their work in CSNY, Crosby & Nash also did great work as a duo act. Wind on the Water was released in 1975 after the previous year's CSNY reunion tour and the dissolution of their contract at Atlantic. In many respects, this alliance made perfect sense.
At the time of its original release in November of 1977, Live was a disappointment. As a single LP in the wake of Wind on the Water and Whistling Down the Wire, it seemed a backhanded insult to this duo, who had a lengthy and illustrious history (on the other hand, ABC Records, who released it, was virtually out of business at the time). The music also seemed somewhat perfunctory, and the content offered almost no recent material, just an odd choice of older songs. The 2000-vintage CD fixed some of those problems, adding two key songs and improving Live in just about every way possible.
The Section were a US instrumental rock/jazz fusion band formed in the early 1970s by guitarist Danny Kortchmar, keyboardist Craig Doerge, bassist Leland Sklar, and drummer Russ Kunkel. Other musicians associated with the group include multi-instrumentalist David Lindley and guitarist Waddy Wachtel. Fork It Over (1977), the group's final album, featured guest appearances from Taylor and David Crosby alongside other session luminaries of the era, including percussionist Joe Lala, saxophonist David Sanborn, trumpeter Chuck Findley and multi-instrumentalist Jim Horn.
Imagine the Atlanta Rhythm Section doing Jan Hammer/Jeff Beck collaboration instrumentals. This is fantastic music, very pleasant, very funky…
In the early and mid-'70s, the years between the live FOUR-WAY STREET and 1977's CSN, there were plenty of albums which were supposedly begun as Crosby Stills Nash and Young projects but collapsed. The Stills and Young Band's LONG MAY YOU RUN is a legendary example, as is 1975's David Crosby and Graham Nash album WIND ON THE WATER, the record the duo made after the early sessions that eventually became LONG MAY YOU RUN fell apart.
Listening to this album, it's easy to hear how different these songs would have sounded with Stills and Young's input, and indeed, the best songs from these two records would have made a killer CSN&Y release. On their own, Crosby, Nash, and the usual heavy friends–Jackson Browne, Carole King, James Taylor, etc.–have made a fine mid-'70s mellow California rock album.
Jackson Browne went on tour in 1977 with a remarkable group of musicians to create an album about the road, on the road. The result was Running On Empty, a musical portrait of life on tour that is as brutally honest as it is achingly beautiful. Paul Nelson wrote in his original Rolling Stone review of the album that "Browne has consciously created a documentary, as brightly prosaic as it is darkly poetic, with a keen eye for the mundane as well as the magical."