Creep Show,

Humble Pie - Performance - Rockin' The Fillmore: The Complete Recordings (1971) {4CD Box Set, A&M Records 3751304 rel 2013}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.60 Gb | MP3 @320 -> 586 Mb
Full Artwork @ 300 dpi (png) -> 127 Mb | 5% repair rar
© 1971, 2013 A&M Records / Omnivore / UMG | 3751304
Rock / Blues Rock / Boogie Rock / Hard Rock

One of the world's greatest live albums is now four times greater! When Steve Marriott left the Small Faces (Rock and Roll Hall Of Fame Class of 2012) to launch a new band in 1968, expectations were high. Marriott teamed with 18-year-old guitarist Peter Frampton, already a U.K. star through his work with The Herd, along with bassist Greg Ridley from Spooky Tooth, and 17-year-old drummer Jerry Shirley, who Steve Marriott had used as a session player for Andrew Loog Oldham s Immediate Record Label.

Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attackRadiohead that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair – it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.