Crush March 2017

Fishbach is an independent artist from the unprecedent and rich young french-singing scene ( she's 25 yo). Her inspirations come from 80s scene melodies and make you think about french artists like Catherine Ringer or Desireless. Her main instruments are her Telecaster, enhanced with a lot of synth and reverbs, and her voice. She can sing with a voice as low, strong and vibrant on some songs as high, light and delicates on others. Her lyrics address themes such as love and death, joy and pain, or loneliness in a very french romantic way. After a debut EP released on french label Les disques Entreprise in 2015, her upcoming album is due to come on January 27 of 2017 on the same label. If you like french artists such as Grand Blanc, La Femme, Flavien Berger and Buvette, you should have an instant crush with Fishbach.

Pacific Daydream is the upcoming eleventh studio album by American rock band Weezer, set to be released on October 27, 2017. The album is their second release by Crush Management and will be distributed by Atlantic Records. The lead single, "Feels Like Summer", was released on March 16, 2017.

One of 2017's most anticipated releases, the Brisbane pop darlings will show off their new album in capital cities in early 2018. The'll be playing some of their biggest venues yet, including all ages shows in Brisbane, Sydney and an underage matinee in Melbourne.Expect to hear the gospel-drenched ‘O Lord’, the empowering ‘Chasin’, and more of the quartet’s RnB, neo-soul-soaked indie pop gear in 2018.

"It is never right to play Ragtime fast." Scott Joplin's famous instruction, printed at the top of most of his publications, has been overlooked by many pianists who take quick, Tin Pan Alley tempos for such favorites as Maple Leaf Rag and The Easy Winners. Listening to William Appling's four-CD set of the complete rags, waltzes, and marches, one should be convinced that the correct speed for most of Joplin's piano music seems to be a moderate walking, if not ambling, pace, and Joplin's subtle harmonies and intricate syncopations are easier to appreciate when the timing is leisurely. Appling came to Joplin by way of rediscovering a student's abandoned copy of the Collected Works edition, and playing through the rags in 2001 gave him the impetus to record not only this impressive collection, but also to work on other Joplin projects, such as a full-scale production of the opera Treemonisha.