Crystal 2008

Richard Thompson compared his bumpy marriage to Linda Thompson to a roller coaster named "the Wall of Death" and Pink picks up this carnivalesque thread, calling her troubled relationship with motocross star Carey Hart a Funhouse on her own entry into a long prestigious line of autobiographical divorce albums that stretches back to Blood on the Tracks. Naturally, Funhouse doesn't have any musical similarities with either Blood or Shoot Out the Lights, but Pink's divorce album is also emotionally different than either of these classics or Marvin Gaye's Here, My Dear…

Southside Johnny Lyon has been fronting one of America's most consistently hard-rocking R&B show bands, Southside Johnny & the Asbury Jukes, for well over 30 years, so this album should come as something of a surprise to longtime fans - here Southside sings a dozen tunes from the songbook of Tom Waits alongside a jazzy, full-bodied big band led by Richie "LaBamba" Rosenberg, a longtime fixture in the Asbury Jukes horn section (and a member of Max Weinberg's band on Late Night with Conan O'Brien). While this is very much a change of pace, it's one that both Lyon and Rosenberg handle with confidence and aplomb; Lyon's voice shows a touch more grain than it did in his salad days with the Jukes, but his sense of phrasing and showman's touch is superb, and he brings swagger, heart, and sincerity to every performance here, and when Waits shows up for a duet on "Walk Away," the two trade lines as if they've been singing together for years…

When the Doors were playing at the Matrix club in San Francisco on March 7 and March 10 of 1967, unofficial tapes were made of their performances. Music from four sets (two each night) of these gigs has long been available on bootleg, and a couple tracks did show up on the Doors' 1997 box set. This two-CD package, however, marks the first official release of material from these shows in bulk…

Plying their trade in the fertile San Francisco scene of the late '60s, Crystal Syphon's name was only known to aficionados through viewing copies of old SF gig posters and through the index of bands at the back of Ralph Gleason's book on the rise of Jefferson Airplane. Then both their studio and live 1967-1969 archival recordings were discovered that replaced the imagination with true grooves in 2012 and 2015 with the release of 2 LPs on Roaratorio Records. Trying to find comparison with other Bay area bands from that era has proven a bit fruitless as they don't specifically evoke any of the heavy hitters of the era. They have a bit of a dreamy, stoned vibe with some great harmonies and some have compared their style to Quicksilver Messenger Service (John Cipollina was their idol!!) as well as H.P. Lovecraft. As with so many bands of the era, the draft, time and declining fortunes signaled the end of the band. There is some great guitar work alongside the Farfisa organ in the extended jams, and fans of the west-coast sound should delight in these recordings.