The vihuela, a small guitar-like instrument with six or seven courses of double strings, is less familiar than other members of the Renaissance lute family. Only four original examples exist, and modern players who have mastered the instrument's intricacies and the breadth of its repertoire are few. This release by Japanese player Yasunori Imamura should introduce many listeners to the vihuela's riches. The music here was mostly or all written between 1536 and 1557, during (and just after) the reign of Holy Roman Emperor Charles V in Spain. The music includes some by the first composer to write down music for the vihuela, Luys Milán (ca. 1500-1561), and what's even more interesting is how the music stands at the beginning of a progressive trend that would last a century and a half: the use of ground basses to structure a larger composition.
Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.