I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.
I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.
I first heard the late string quartets of Beethoven in my teens, on a budget price LP on the French Musidisc label. I don’t remember much about the performances; one movement that sticks in my mind is the slow movement of Op. 127, which was played at an expansive tempo, and took around twenty minutes. However I do remember the liner-notes, which were obviously translated by someone for whom English was not their first language.
The Cypress String Quartet, based out of San Francisco, CA, has been working on a series of recordings of the complete string quartets of Beethoven, with the quartet's first violinist, Cecily Ward, listed as producer of the recordings. This set of the op. 18 quartets fills out their recorded survey. Interestingly, the quartet essentially went in "reverse order" with respect to issuing their recordings, in that the op. 18 quartets are, of course, the earliest of the Beethoven quartets, but this 2-CD set is the last of the Cypress Quartet's recordings of the cycle to be issued. Their album of the late quartets was first, and the album of the middle quartets was, fittingly, in the middle.
The latest CD from composer Jay Cloidt features the premiere studio recordings of two ambitious and diverse works for string quartet, Spectral Evidence and eleven windows, performed by the Cypress String Quartet. Spectral Evidence begins with a straightforward performance of the first two minutes of the Mozart quartet (No. 14 in G, K. 387).
The latest CD from composer Jay Cloidt features the premiere studio recordings of two ambitious and diverse works for string quartet, Spectral Evidence and eleven windows, performed by the Cypress String Quartet. Spectral Evidence begins with a straightforward performance of the first two minutes of the Mozart quartet (No. 14 in G, K. 387).
The Cypress String Quartet, based out of San Francisco, CA, has been working on a series of recordings of the complete string quartets of Beethoven, with the quartet's first violinist, Cecily Ward, listed as producer of the recordings. This set of the op. 18 quartets fills out their recorded survey. Interestingly, the quartet essentially went in "reverse order" with respect to issuing their recordings, in that the op. 18 quartets are, of course, the earliest of the Beethoven quartets, but this 2-CD set is the last of the Cypress Quartet's recordings of the cycle to be issued. Their album of the late quartets was first, and the album of the middle quartets was, fittingly, in the middle.
The Cypress String Quartet, based out of San Francisco, CA, has been working on a series of recordings of the complete string quartets of Beethoven, with the quartet's first violinist, Cecily Ward, listed as producer of the recordings. This set of the op. 18 quartets fills out their recorded survey. Interestingly, the quartet essentially went in "reverse order" with respect to issuing their recordings, in that the op. 18 quartets are, of course, the earliest of the Beethoven quartets, but this 2-CD set is the last of the Cypress Quartet's recordings of the cycle to be issued. Their album of the late quartets was first, and the album of the middle quartets was, fittingly, in the middle.
The latest CD from composer Jay Cloidt features the premiere studio recordings of two ambitious and diverse works for string quartet, Spectral Evidence and eleven windows, performed by the Cypress String Quartet. Spectral Evidence begins with a straightforward performance of the first two minutes of the Mozart quartet (No. 14 in G, K. 387).
Following three acclaimed releases for AVIE surveying works by Dvo?ák, Schubert and contemporary Americans, the San Francisco-based Cypress String Quartet turns to the seminal string quartets of Beethoven, performing the five quartets from the composer’s middle period. Formed in 1996, the Cypresses added Beethoven to their repertoire early on. Their signature sound, which is clear and transparent, built up from the bottom register and layered like a pyramid, lends itself beautifully to the Middle String Quartets – the three “Rasumovskys,” the “Harp,” and the “Serioso.”