Star countertenor Max Emanuel Cencic steps into new musical territory with the world premiere recording of Catone in Utica by Leonardo Vinci, a forgotten genius of Italian opera. The opera tells a powerful tale of Julius Caesar’s defeat of the Republican forces led by Marcus Porcius Cato in 46 BC, exploring the eternal themes of love, duty and honor. Featuring five countertenors along with conductor Riccardo Minasi who leads il pomo d’oro.
The fourth of d'Albert's twenty operas, "Die Abreise" ("The Departure") was premiered in 1898 at Frankfurt. In a single 40 minute act, its story is very slender indeed. A man (Gilfen) suspects his wife (Luise) of being unfaithful to him with a friend (Trott) so pretends to go away on a journey. Returning "unexpectedly" he finds Luise rejecting the advances of Trott who is summarily ejected. A reconciliation between Gilfen and Luise ensues.
Handel's 1738 opera Serse (Xerxes) baffled audiences at first hearing with its mixture of tragedy and comedy, but that same mixture has resulted in the opera's steadily rising status in performance today. If you're maxed out on athletic opera seria performances, check it out: it has elements of a put-on of that genre. The plot is kicked off by Serse, the king of ancient Persia, praising a shade tree in the famous aria "Ombra mai fu," whose tune is also known as Handel. The role of Serse is written for a male countertenor (originally the castrato Caffarelli), who has to keep a level of seriousness as his character becomes involved in increasingly improbably romantic triangles.