Alessandro Scarlatti is justly famed for his contributions to Read more opera seria and cantata, and indeed it may even be said that he was one of the main progenitors of the Neapolitan style of the early 18th century. In Naples and earlier in Rome he was obligated to write a considerable amount of sacred music, much of it for smaller settings that would be useful in the local churches. Since his music is now becoming more common on disc, it is good to have this recording of a set of four pieces—a gradual, a Marian antiphon, a motet, and a Psalm—all of which reflect rather different approaches to each portion of the liturgy and yet contain a certain commonality in form and structure.
Respighi: Pines of Rome, Bernstein: Symphony No. 2 "Age of Anxiety", Rimsky-Korsakov: Scheherazate, Dvorak: Symphony No. 9 "From the New World", Tchaikovsky: Symphony No. 4, Saint-Saëns: Symphony No. No. 3 “With Organ”, Rachmaninoff: Symphony No. 2, Mahler: Symphony No. 6 “Tragic”, etc. Recorded 2006-2019.
The album marks 45 years since Chailly’s debut at La Scala, and also the signing of his exclusive contract with Decca.
This performance from the 1950s sounds surprising after decades of authentic performance. The instruments are modern, the forces large and the style of singing rich, full and almost romantic. Yet the effect is electrifying. All the performers sing with such conviction that this Poppea moved me and it makes some authentic performances sound thin and academic by comparison.
New collaboration between Jakub Józef Orliński and Il Pomo d'Oro Jakub’s sixth project features music by early baroque composers, including Monteverdi, Caccini, Frescobaldi, Kapsberger, Saracini, Netti, and Jarzębski Musicologist Yannis François researched the program and uncovered some extraordinary repertoire, now recorded for the first time (10 world premiere recordings) “With that album and this very specifically selected program I want to focus on the general meaning of word "beyond". Mostly to show people that this music is beyond its times. It is still relevant, it is still alive, vibrant, touching, engaging and entertaining.” – Jakub Józef Orliński