When Detroiter David Usher and Dizzy Gillespie founded the Dee Gee record label, they might have had an inkling that their project could, and would, fail financially due to poor distribution, the conversion from 78s to LPs, and the heavy hammer of the taxman. They might have felt, but could not have imagined, that they would create some of the most essential and pivotal jazz recordings for all time, not to mention some of the last great sides of the pioneering bebop era. Gillespie's large ensembles brought to public attention the fledgling young alto and tenor saxophonist John Coltrane, such Detroiters as guitarist Kenny Burrell or pianist/vibraphonist Milt Jackson, and vocalists Joe Carroll, Freddy Strong and Melvin Moore. Considering the years – 1951 and 1952 – this was revolutionary breakthrough music from a technical and entertainment aspect, delightful music that has stood the test of time and displays the trumpeter in his prime as a bandleader.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Dizzy Gillespie meets the Phil Woods Quintet – a group that already has a great trumpeter in the form of Tom Harrell – which makes the album here a double-horn delight! Dizzy's on trumpet throughout, and Harrell plays both trumpet and flugelhorn – and the pair work well with Woods' alto in the front line, sharing back and forth, and creating a lively interplay between the different voices of their instruments. Dizzy is impeccable – as he always is at this point in his career – and rhythms are nice and tight, thanks to piano from Hal Galper, bass from Steve Gilmore, and drums from Bill Goodwin. Titles include a great reading of Galper's Loose Change" – plus "Terrestris", "Love For Sale", "Oon Ga Wa", and "Whasidishean".
One of the greatest jam session records on Verve! Although some of the label's "big horn talent" albums tended to be a bit snoozy, this one crackles with energy, and features three different classes of boppers working together perfectly on long, lively tracks with Ray Bryant on piano, Tommy Bryant on bass, and Charlie Persip on drums. In fact, it's probably the soulful rhythm section that makes the whole thing so darn good – as they really chop up some nice rhythms on cuts like "Wheatleigh Hall", "Haute Mon", and the album's classic version of "Con Alma". Great stuff, and essential for fans of Diz and Rollins especially!
Stunning 100 CD set containing a plethora of classic Bebop Jazz. Bebop marked the beginning of Modern Jazz, a musical and technical revolution and the first example of Jazz as an art. New harmonic structures coupled with improvising at a fast tempo together with hip outfits.
Featuring prime Latin jazz cuts from the heyday of the mambo, Afro Cuban Jazz: 1947-1960 is really a better than average showcase for one of the music's best: Machito. In fact, this disc contains 13 sides by Machito & His Orchestra, including two bebop gems featuring Charlie Parker ("Mango Mangue," "No Noise, Pts. 1-2"). That's not to overlook the presence of one of the supreme champions of Latin jazz, Dizzy Gillespie ("Manteca"), Stan Kenton and his mathematically frenetic bongo jams, and J.J. Johnson and Kai Winding teaming up for a couple of classics. Truthfully, however, the real meat here is heard on such Machito dancefloor fillers as "Oyeme" and "Minor Rama." So, when you've got a jones for jazz in a mambo mood, this disc will provide the needed salve.
This unique set finds Dizzy Gillespie (who was nearly age 65) sharing the frontline with the great Cuban trumpeter Arturo Sandoval. Backed by a fine Finnish rhythm section, Sandoval and the great trumpeter are both in good spirits playing five of Gillespie's originals including "Wheatleigh Hall" and "And Then She Stopped." Considering that it would be another decade before Sandoval was able to defect from Cuba (and finally play the music he wanted), this recording is of great historic value.
This disc contains very rough-sounding recordings of Parker with Gillespie's big band at the Pershing Hotel Ballroom, Chicago in 1948. Also a batch of live performances of the Parker Quintet with Miles on trumpet.
Arguably, this is as much Lalo Schifrin’s album as it is Dizzy’s, in that the gifted young Argentinian pianist wrote and arranged this extended work in 1958, when aged just 26. But, it would take another two years before someone pressed the record button. While on some mid-1950s recording sessions, Dizzy didn’t always extend himself, Gillespiana proves quite the reverse.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.
Two CD release featuring some of the greatest Jazz figures together on one stage! This double set contains three of the nearly 50 concerts played by the so called Giants of Jazz, a true all-star group organized by Jazz producer George Wein that toured Europe in 1971 and 1972. Alongside Thelonious Monk and Dizzy Gillespie, these sets feature musical contributions from Sonny Stitt, Kai Winding and Art Blakey. Disc One was recorded in Poland and Germany. Disc Two was recorded in Italy.