D.c. Cab (1983)

This captures over an hour's worth of John Zorn's search for the improvised song form. Several lineups from 1983 are documented here. The first eight tracks feature Zorn with Christian Marclay spinning and Peter Blegvad speaking. The text is unremarkable (for example, Honey-Cab's "…tell her everything I know/ In ink as black as carbon/ On paper white as snow"), but Blegvad's sonorous delivery works well with the chaos that the other two musicians spit and spin out, combining into tides of noisy mischief.

Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter and multi-instrumentalist. Widely regarded as one of the greatest musicians of his generation, he was known for his flamboyant, androgynous persona and wide vocal range, which included a far-reaching falsetto and high-pitched screams. Prince produced his albums himself, pioneering the Minneapolis sound. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, pop, jazz, and hip hop. He often played most or all instruments on his recordings.

Tom Waits - Used Songs 1973-1980 (2001) {Elektra–Rhino 8122-78351-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 402 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 300 dpi (jpg) -> 40 Mb | 5% repair rar
© 1973-80, 2001 Asylum / Elektra / Rhino / Warner | 8122-78351-2
Rock / Blues / Blues Rock / Singer-Songwriter

Rhino's fine 16-track collection Used Songs (1973-1980) chronicles Tom Waits' first seven albums, all recorded for Asylum Records. This contains pretty much all his staples from the '70s – "Heartattack and Vine," "Burma Shave," "Ol' 55," "Jersey Girl," "(Looking For) The Heart of Saturday Night," and "Tom Traubert's Blues" among them – sequenced not chronologically, but sequenced for maximum impact. Given the sheer amount of music Waits made for Asylum, it shouldn't be surprising that there are some fan favorites missing, but there are no complaints with what is here, and this provides a near-perfect encapsulation of his pre-Island years, especially for those only familiar with the Island recordings.