"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.
"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.
Composer, conductor and organist Gabriel Pierné wrote in a wide variety of genres, from operas to pieces for solo piano. His orchestral music for the stage shows the utmost refinement and clarity as well as wit and charm in the finest French tradition. His colourful and evocative score for Ramuntcho is rich in Basque flavour with zortzico dance rhythms and village dances, all beautifully textured. Set in the 18th century, the ballet Cydalise et le Chèvre-pied reveals the full range of his inventive scoring, which remains chamber music-like in its finesse.