Frontiers Music Srl is thrilled to announce the upcoming release of a long-awaited new studio album, "Get It Right" from Philadelphia hard rockers Heavens Edge. This will be their first official release since 1998, when the demos and other rarities,considered the band’s second album, "Some Other Place, Some Other Time" was put out. Original members Reggie Wu (guitars, keyboards), Mark Evans (vocals), David Rath (drums), and Steven Parry (guitars) are joined by newest member, bassist Jaron Gulino (Tantric, Mach 22), who joined the band after the tragic passing of original bassist George G.G. Guidott.
Afrobeat’s rise to common musical currency has been mercurial during the last 5 years as dance music producers embrace more complex Afro rhythms and original West African pioneers like Fela Kuti and Tony Allen receive their dues. Featuring new hip hop from Ty alongside seminal house beats from Masters At Work and ultra-funky original music from Nigeria and Ghana courtesy of Fela Kuti, highlife God E.T. Mensah and more. 2 CD collection of 29 tracks then hits the groove straight away with Aslhley Beadle’s ‘Afrikans On Marz’ mix of Femi Kuti’s ‘Beng Beng Beng’, next up the classic Dennis Ferrer track ‘Funu’ which then leads us to a nicely different track with Tony Allen’sAfrobeat mix of Gigi’s ‘Gudfella’. So many more I could pick out too including DJ Food ‘Dub Lion’ and Orchestre Poly-Rhythmo De Cotonou Benin’s ‘Houe Towe Houn’. Suffice to say this does the job big time.
Ritual Howls create a cinematic blend of twangy industrial-rock that could fuel a post-apocalyptic dancefloor. A collaboration between Paul Bancell (vocals, guitar), Chris Samuels (synth, samples, drum machine), and Ben Saginaw (bass), the Detroit trio's fourth full-length Rendered Armor follows the 'Their Body' EP of 2018 with expansive arrangements sculpted with masterful production.
Compiled from ultra-rare dead stock pressed at a Soviet-era vinyl plant in Tashkent, Uzbekistan, this first-of-its-kind fully licensed album features a supreme selection of Uzbek disco, Tajik electronic folk, Uyghur guitar licks, Crimean Tatar jazz, Korean brass, and genre-defying styles from Soviet Central Asia.