Barely a year after the release of their hugely acclaimed debut album 'Dogrel', which earned a Mercury Prize nomination and Album of the Year 2019 at both BBC 6Music and Rough Trade record store, Dublin’s Fontaines D.C. have returned with an intensely confident, patient, and complex follow up album. A Hero's Death arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
The 1992 album Clouds was another major step in the quick sonic evolution of Tiamat, as the band continued to scale back their death metal roots while pursuing more conventional song structures. Songwriting contributions from new bassist Johnny Hagel take some of the load off vocalist Johan Edlund, whose improving English-speaking skills and raspy but clear intonations finally let listeners appreciate his esoteric lyrics…
There have been dozens and dozens of Motörhead compilations released over the decades, but the first one remains definitive, even if it's not perfect. Released in 1984 as a gap-filler – for Motörhead were regrouping in the wake of the bandmember shuffling that followed the odd Another Perfect Day album – No Remorse compiled two-dozen songs across two discs (latter-day editions adding a good serving of bonus tracks, too)…
When it comes to powerhouse thrash metal bands of the 1980s and 1990s, precious few had as much influence on their peers as Sepultura. Founded by brothers Max and Igor Cavalera, they came from Brazil, they took no prisoners, and they went on to sell millions of records around the world, but they did so while allowing their music to evolve rather than growing stagnant by being afraid to step away from the sound of their proven successes. You can follow Sepultura’s musical evolution on the new box set THE ROADRUNNER ALBUMS 1985-1996, a six-CD set which follows the band through their run on Roadrunner Records and reveals the way their sound changed over the course of those 10+ years.
The subjects of death and betrayal permeate this understandably dark album. Opening with the Nick Lowe chestnut "Endless Sleep" as a slow acoustic blues, this unpredictable guitar un-star also sings about "Sonora's Death Row" and offers the opinion that "Everybody Lies." His always problematic singing assumes a prominent role, which might not be the best strategy. He showcases his string wizardry on "A Dull Thud" and several other instrumentals.
A lot of his fans probably don't know it but Tim Deluxe was actually half the brains behind speed garage stormer 'R.I.P. Groove' all those years back in '97. Since then he was also heavily involved with underground house label Cross Section Records and as we all know released multiple tracks through Darren Emerson's Underwater Records including his most famous 'It Just Won't Do' featuring vocals by Sam Obernik. This track brought Tim worldwide fame but of course came along with the usual criticism of any commercially successfully track. But this ginger kid who has definitely grown up takes it all in his stride explaining, you've just got to get on with it. I don't really pay too much attention…
Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981.[1] While none of its original members remain in the group since December 1986, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band's career since 1992's Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado's departure, the band reverted to a four-piece rather than replace him…