Because it is a 1995 release, this "Best of" CD should not be confused with something of broader scope. Its 12 songs are culled from a mere two CDs, "Illusions" (1986) and "Cross Currents" (1987), released on the Denon label. There is no material from the six CDs Eliane put out on Blue Note subsequent to "Cross Currents" and before this CD. She has, of course, released a tremendous amount of material since 1995.
A somewhat surprising pairing at the time, the former firebrand of the tenor sax and the wonderful South African pianist found a pleasant and relaxed meeting point. By 1978, Shepp had largely abandoned the ferocious attack that gained him renown in the '60s, settling on a rich, Ben Webster-ish tone and playing a repertoire consisting of modern standards and bluesy originals. Two such pieces, the lovely Dave Burrell/Marion Brown composition "Fortunato" and Mal Waldron's "Left Alone," are highlights of this session, Shepp's burnished tone as soft as an old shoe.
Kazumi Watanabe has for the past 20 years been one of the top guitarists in fusion, a rock-oriented player whose furious power does not mask a creative imagination. Watanabe studied guitar at Tokyo's Yamaha Music School and he was a recording artist while still a teenager. In 1979, he formed the group Kylyn and, in 1983, he put together the Mobo band. Several of his recordings have been made available by Gramavision and they show that he ranks up with Al DiMeola (when he is electrified) and Scott Henderson among the pacesetters in the idiom.
This is one of the most comprehensive of any of the test CD's. It can be used for anything from aligning tape head azimuth to speaker frequency range, testing noise levels of either your cd player or amplifier/receiver, etc…
A key figure in the development of jazz's new direction in the late '60s and '70s (thanks in large part to his contributions to Miles Davis' pioneering fusion work), Chick Corea has since become one of the most influential musicians of the genre. The tracks on EARLY DAYS were recorded in 1969. Around the same time, the Davis Quintet was recording the epochal IN A SILENT WAY and BITCHES BREW. The material here, featuring sidemen Woody Shaw, Jack De Johnette, and Bennie Maupin, explores similarly abstract rhythmic excursions that favor texture and atmosphere over conventional song structure.
Pianist Eliane Elias' second of two Denon CDs recorded before she hooked up with Blue Note is a lesser-known but worthy session. Elias is mostly featured in a trio with bassist Eddie Gomez and drummer Jack DeJohnette performing originals, a pair of Charles Mingus compositions ("Peggy's Blue Skylight" and "East Coastin'"), "Beautiful Love," "When You Wish Upon a Star" and Bud Powell's "Hallucinations." Elias was quickly developing into a strong modern mainstream pianist.
Eddie Gomez is a brilliant bassist whose flexibility and quick reflexes make him an ideal accompanist (although his own albums tend to be a bit erratic jazz-wise). He grew up in New York and was with the Newport Festival Youth Band during 1959-1961. After studying at Juilliard, Gomez played with Rufus Jones' sextet, Marian McPartland (1964), Paul Bley (1964-1965), Giuseppe Logan, Gerry Mulligan, and Gary McFarland, among others. Gomez came to fame during his long period with the Bill Evans Trio (1966-1977).
On his third Denon release Berg ventures into a few jazz standards while maintaining a strong hold on his fusion roots. Jim Beard is featured on keyboards.
In this short (37 min) album recorded in a studio in New York in June 1977, Archie SHEPP is surrounded by Walter DAVIS on piano, Earl MAY on bass and Philly Joe JONES on drums. He performs six great Duke ELLINGTON successes, two of which: “Don't you know I care” and “Day dream” , the first and third songs, interpreted on the soprano saxophone, are simply fabulous and would justify the acquisition of the CD by fans of the saxophonist. The rest of the album, played by tenor, remains however of good quality (with in particular a beautiful version of "I got it bad and that ain't good"), even if it does not reach the heights of the aforementioned songs.