Die Zauberflöte

From fairy tale to great opera: With Die Zauberflöte Mozart made the step from simple Singspiel to a full-blown German opera, thus laying the foundations for an independent opera culture in the German language. The 1973 Electrola recording combines a truly legendary vocal ensemble, featuring first and foremost Edda Moser, whom many people still regard as the best Queen of the Night of all time, Walter Berry as a Papageno oozing Viennese charm, Anneliese Rothenberger as the enchanting Pamina and Peter Schreier as her loving Tamino.

JOHN ELIOT GARDINER und ein junges Sängerensemble bezaubern den Hörer: Christiane Oelze ist eine betörend sympatische Pamina. So gestochen scharfe und dabei klangvolle Koloraturen wie von Cyndia Sieden habe ich so noch nicht gehört; eine Königin der Extraklasse! Auch Michael Schade als Tamino und Gerald Finley als Papageno bestechen mit ihren wohlkingenden und ausdrucksfähigen Stimmen.

Wolfgang Amadeus Mozart - The Royal Opera / Sir Colin Davis - Die Zauberflote / The Magic Flute
Stereo FLAC @ 24Bit48kHz: 1,6 GB | Full Artwork | 5% Recovery Info | Genre: Classical, Opera
Label/Cat#: Opus Arte, BBC # OA BD7002 D | Country/Year: Uk & Europe 2008

It’s hard to find a version of Mozart’s Die Zauberflöte that’s as well sung as this 2003 Covent Garden production. Led by the eminent Mozartian, Sir Colin Davis, orchestra and singers present a warm, often intense vision of the opera, not as the fairy tale it’s often taken for, but as a human drama of the passage from misguided beliefs to mature knowledge of self…

Mozart's best-known opera Die Zauberflöte (The Magic Flute) opened a series of new productions at the 2012 Salzburg Festival. Legendary maestro Nikolaus Harnoncourt conducted his orchestra, the Concentus Musicus Wien, performing the Salzburg Festival's first-ever presentation of Die Zauberflöte on period instruments.

One of Mozart’s best-known opera, Die Zauberflöte, opened the series of new opera productions of the 2012 Salzburg Festival. Nikolaus Harnoncourt conducted his ensemble, the Concentus Musicus Wien, performing the Salzburg Festival’s first-ever performance of Die Zauberflöte on period instruments.

What begins like a fairy-tale turns into a whimsical fantasy halfway between magic farce and Masonic mysticism: The Magic Flute links a love story with the great questions of the Enlightenment, juxtaposes bird-catcher charm with queenly vengeance, and bewitches the listener with music that mixes cheerful melodies, lovers’ arias, show-stopping coloraturas and mysterious chorales.

I’ve already made mention in these pages of my appreciation for the art of the late Jean-Pierre Ponnelle. Where many other directors/stage designers see operas merely as department store manikins to hang any concepts upon—the more inappropriate, the better, when it comes to gaining notoriety and further employment—Ponnelle achieved his often startling results simply by finding effective solutions to stage problems few people consider…

Barry Brenesal Reviewing earlier TDK release

There's magic in these musical hills, as conductor Arnold Östman leads an exemplary performance of Die Zauberflöte on original instruments.Sumi Jo's breathtaking Queen of the Night is the queen of intonation, while Barbara Bonny's Pamina is a phrasing angel, from her pianissimo B flats to her gentle, yet heartfelt, "Ach ich fühl's." Singing as comfortably as a folk singer, Kurt Streit's lyrical, yet dramatic, Tamino is manly and heroic. Gilles Cachemaille is an appropriately charming Papageno, and all supporting performances are stellar. This crystal-clear interpretation must be as close to perfection as Mozart probably dreamed. A true treasure.