The Paris Jazz Festival is a tradition in the jazz concert calendar with artists from around the world delighted to accept an invitation to perform.
The unique 1987 Paris Jazz Festival series not only captures some of jazz's finest innovators in concert but also the rehearsals for this prestigious event and candid backstage interviews with the artists. Swiss drummer Daniel Humair has worked with the best American and European jazz musicians.
Helter Skelter was glam rock band with melodic-rock kooky originally from Germany. Born on the ruins of Vamp, Helter Skelter released in 1988 his only drive «Welcome To The World Of Helter Skelter», the output of which was reinforced by the success of hit singles «Dr. Jekyll & Mr. Hyde », eventually became their most famous song. Even in the best of times to Helter Skelter no one took seriously, at best, considering them clowns with huge bouffant, Maiko centimeters and bright clothes. With all this, their music was even a sense of the original - it was a real party glam with lyrics about a night of fun, circuses, endless party with beautiful girls, drinking and teenage adventures. And were not understood even by fans of style - and their music really sounds at times like the soundtrack to some street fair, - Helter Skelter safely disintegrated, leaving a single CD, reissued 20 years later, with a few bonuses.
Mick Harvey released Intoxicated Man and Pink Elephants in 1995 and 1997, respectively. They were two of his first three solo albums apart from being musical director for Nick Cave & the Bad Seeds, and they are both tribute albums to Serge Gainsbourg. Harvey was among the first native English musicians – if not the first – to delve so deeply into the vast catalog of songs from France's great musical icon (who was Belgian by birth). Both titles feature well-known Gainsbourg tunes, done in English with their French titles placed in italics side by side.
Amon Düül ll's extraordinary 1973 album finds the influential German art rock band working surprisingly well in a short song format while still stamping the music with their unique sound. "Fly United," "Trap," and "Ladies Mimikry" show diverse styles of pop and rock running happily into each other with memorably quirky results. The instrumentation here is as quirky as ever,too – perhaps even more so than usual, with Chris Karrer's violin and sax playing now in the fore. The melodies are often shimmering. Unfortunately, the band never again sustained the excellence displayed on Viva la Trance again.