Dsd Japan Mini LP

Miles Davis - Seven Steps To Heaven (1963) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1209}
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© 1963, 2006 Sony Music Japan / Columbia | SICP 1209 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Trumpet

A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through.

Miles Davis - Someday My Prince Will Come (1961) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1208}
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© 1961, 2006 Sony Music Japan / Columbia | SICP 1208 | DSD | HQD High Quality Disc
Jazz / Cool / Hard Bop / Trumpet

The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a swan song to that period – one of the last studio session that Miles would cut in such an unabashedly sweet and lyrical way. And while Mobley's always better known for his harder-blown notes at Blue Note, he sounds totally great here next to Davis – really keeping up the gentle spirit and spaciousness of the record, and working with a gentleness that surpasses even his work on the legendary Soul Station album. Rhythm is by the trio of Wynton Kelly, Paul Chambers, and Jimmy Cobb.

Miles Davis - Sketches Of Spain (1960) {2006 DSD Japan Mini LP Edition, Analog Collection, SICP 1207}
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© 1960, 2006 Sony Music Japan / Columbia | SICP 1207 | DSD | HQD High Quality Disc
Jazz / Cool / Third Stream / Orchestral Jazz / Trumpet

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea".

Miles Davis - Miles Davis In Europe (1964) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1210}
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© 1964, 2006 Sony Music Japan / Columbia | SICP 1210 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Recorded live in France at the Festival Mondial, du Jazz Antibes, Miles Davis in Europe captures trumpeter Miles Davis in late 1963. While Four & More and My Funny Valentine – both taken from the same 1964 New York Philharmonic Hall concert – are most often cited as this lineup's essential live recording, Miles Davis in Europe is a no less exciting listen. The band, including tenor saxophonist George Coleman, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams had recorded Seven Steps to Heaven a few months earlier, which would turn out to be the one studio album Davis would make with the lineup.

Miles Davis - My Funny Valentine (1964) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1211}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 365 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 600 dpi (png) -> 158 Mb | 5% repair rar
© 1964, 2006 Sony Music Japan / Columbia | SICP 1211 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

One of the finest live albums in the history of jazz, My Funny Valentine presents the Miles Davis Quintet live at the Lincoln Centre's Philharmonic Hall in 1964. Surrounded by the vibrant and youthful rhythm section of Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums), Davis was enjoying a strong new surge of creativity, and played with a stunning level of invention and passion throughout. The resonance of the long title track - one of those flawless performances that happens only very occasionally - dominates the record. Front-line partner George Coleman (tenor saxophone) chose a good evening to play some of the most beautiful solos of his life.

Miles Davis - Kind of Blue (1959) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1206}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 284 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar
© 1959, 2006 Sony Music Japan / Columbia | SICP 1206 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space.

Miles Davis - 'Round About Midnight (1956) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1201}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 95 Mb | Full Artwork
© 1956, 2006 Sony Music Japan / Columbia | SICP 1201 | DSD | HQD High Quality Disc
Jazz / Cool / Hard Bop / Trumpet

The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.

Miles Davis - 'Four' & More, Recorded Live In Concert (1964) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1212}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 132 Mb
Full Artwork @ 600 dpi (png) -> 142 Mb | 5% repair rar
© 1964, 2006 Sony Music Japan / Columbia | SICP 1212 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax!

Miles Davis - 1958 Miles (1959) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1204}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 257 Mb | MP3 @320 -> 96 Mb | Full Artwork
© 1958, 2006 Sony Music Japan / Columbia | SICP 1204 | DSD | HQD High Quality Disc
Jazz / Cool / Bop / Hard Bop / Modal Music / Trumpet

1958 MILES is a Japanese album which gathers together Miles Davis' four non-LP studio recordings from that watershed year ("On Green Dolphin Street," "Fran Dance," "Stella by Starlight" and the phenomenal "Love for Sale"), tosses in a particularly progressive 1955 track by the trumpeter's original quintet ("Little Melonae") and as a result earns a place right alongside MILESTONES and KIND OF BLUE for the superb quality of its music.

Miles Davis - Miles Ahead (1957) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1202}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 90 Mb | Full Artwork
© 1957, 2006 Sony Music Japan / Columbia | SICP 1202 | DSD | HQD High Quality Disc
Jazz / Cool / Experimental Big Band / Modern Creative / Trumpet

This album is perhaps most significant for the process it set in motion – the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis, who hadn't worked together since recording the critically admired but commercially unsuccessful sides that would later be issued as The Birth of the Cool. Columbia also allowed Evans to assemble a 19-piece band for the recordings, at a time when big bands were far out of fashion and also at a time when the resulting recordings could not be released until two years in the future (because of Davis' contractual obligations with Prestige).