Learn foundational beginner blues slide guitar licks. The vocal-like, expressive qualities of slide guitar is why so many blues masters have dedicated the time to learn the technique and build a vocabulary of tasty slide licks to spice their music with.
If the cover of At Home evokes the 1950s, the music on In Hollywood is the 1950s: a warm, cozy, sophisticated album of mood music in the best sense. Yet this is not an album of film music (though a handful of film themes turn up). Rather, it is exactly what the title indicates: Chet Atkins recording an album in a Hollywood studio, as opposed to the familiar haunts of Nashville…
This gem of a disc shows Guitar Shorty (David Kearney) off on one of the highlights of his too-limited recorded efforts. He is one of the most flamboyant guitar players you will ever have the chance to see. His stage act was inspired by Guitar Slim, and he in turn inspired and influenced his stepbrother-in-law, a fellow by the name of Jimi Hendrix. This disc is filled with his searing blues guitar work. The only exception is the bouncy Mark "Kaz" Kasanoff tune "A Fool Who Wants to Stay," though Kasanoff is an associate producer of this disc (maybe that says enough). The rest will give you more than your fill of Shorty's inflammatory and slashing style of guitar licks, the very tight horn section arranged by Kasanoff augmenting him, and the solid musicians who are in the band that backs him…
Eric Clapton's Crossroads Festival, which features world-class guitar players from all over the globe and has been held every three years since 2004, works as a fundraiser for the Crossroads Centre in Antigua, a treatment and educational center Clapton founded in 1998 to help people suffering from chemical dependency. The first three concerts were single-day outdoor events held in Dallas in 2004, and in Chicago in 2007 and 2010, with the fourth, the concert represented by this two-disc set, moving indoors to Madison Square Garden in New York and expanding to two nights in 2013…
Sir David Coverdale has returned with a new album that is a true return to Whitesnake’s 1980’s dominance. It is not a simple case of saying this is the next 1987 or Slide It In as Forevermore stands on it’s own merits. That said, it does sit nicely on a shelf next to these two classics…