Dylanesque

Jimi Hendrix's second album followed up his groundbreaking debut effort with a solid collection of great tunes and great interactive playing between himself, Noel Redding, Mitch Mitchell, and the recording studio itself. Wisely retaining manager Chas Chandler to produce the album and Eddie Kramer as engineer, Hendrix stretched further musically than the first album, but even more so as a songwriter. He was still quite capable of coming up with spacy rockers like "You Got Me Floating," "Up from the Skies," and "Little Miss Lover," radio-ready to follow on the commercial heels of "Foxey Lady" and "Purple Haze." But the beautiful, wistful ballads "Little Wing," "Castles Made of Sand," "One Rainy Wish," and the title track set closer show remarkable growth and depth as a tunesmith, harnessing Curtis Mayfield soul guitar to Dylanesque lyrical imagery and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision…

Man were one of the most promising rock bands to come out of Wales in the early '70s. Along with Brinsley Schwarz, they helped establish the core of the pub rock sound, but they played louder and also had a progressive component to their work that separated them from many of their rivals…

Bob Geldof - The Vegetarians of Love
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 462 MB
Label/Cat#: Mercury 846 250-2 | Country/Year: Europe 1990
Genre: Rock, Folk Rock | Hoster: Filesonic/Uploaded/Wupload

Geldof returns after a four-year absence with his second solo release, The Vegetarians of Love. Again, there are some high-profile guests including Paul Carrack, Kevin Godley, and Dave Stewart, but this Rupert Hine-produced affair has a low-key feel to it. Geldof applies his Dylanesque croak to a set that is very heavy on Irish-folk influences with rich results…

The sixth of six albums recorded by Red Hot Chili Peppers guitarist John Frusciante during 2004, Curtains was initially tracked on the musician's living room floor and subsequently overdubbed with Carla Azar of Autolux on drums, Ken Wylde on upright bass, and Omar Rodriguez of the Mars Volta, who lent his guitar playing to a pair of tracks. Initiated by the stellar, Dylanesque acoustic tones of "The Past Recedes," Curtains opens to reveal evocative, soulful material like "Lever Pulled" and the bright, melodic reflection known as "A Name." The magical "Ascension – which uses George Harrison's "My Sweet Lord" as a touchstone – offsets the piano dirge "Leap Your Bar," but Frusciante's increasing comfort as a vocalist during this prolific spell is what is most notable. One needs to look no further than the beauty of "Anne" (which is arguably the best of the lot here) for evidence. But Curtains is the sum of its parts. Nearly always inventive, the 11 tunes here collect to form one magnificent piece of art.