Dacapo

Jørgen Jersild - Ensemble MidtVest - Chamber Music
EAC+LOG+CUE | FLAC: 278 MB | Artwork | 5% Recovery Info
Label/Cat#: Dacapo # 8.226072 | Country/Year: Denmark 2013
Genre: Classical | Style: Early 20th century, Contemporary

"The music on this CD confirms the special position of the composer Jørgen Jersild (1913-2004) in Danish music. It is captivating chamber music written over a half-century during which the composer underwent great musical development, but at the same time persisted in his own personal style – from the early works from the 1930s and 1940s to the later string quartet showing us a courageous, mature composer seeking out new musical areas."

Fuzzy - Chimes of Memory (Krogh, Rehling, Balland) (2014) {Dacapo 8.226561}
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© 2014 Dacapo / Open Space / Naxos | 8.226561
Classical / Contemporary Classical / Chamber Music / Electronic / Organ

“Chimes of Memory” is a diverse collection of works by the Danish composer and musician Fuzzy (b. 1939). In the title work, recorded on a historic digital audio workstation at the Danish Radio, Fuzzy gazes deep into the well of memory. In the other works we meet magnificent organ music written for the cathedral of Notre Dame in Paris alongside witty, experimental and dream-like sounds played on saxophone, harp and, not least, the composer’s beloved old grand piano before it ended its days beneath the stars at the Copenhagen waste incinerator.

Marilyn Mazur - Jordsange (2000) {dacapo DCCD 9454}
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© 2000 dacapo | DCCD 9454
Jazz / Post Bop / Straight-Ahead Jazz / Jazz Ensemble / Percussion

Born in New York yet reared in Denmark, percussionist Marilyn Mazur has performed with a who’s who of modern jazz artists, which includes a stint with the late Miles Davis. Basically, Ms. Mazur is recognized as a percussionist who melds supple rhythms and multihued patterns into lyrically rich frameworks while adhering to compositional structure, nuance and subtly via her variegated array of instruments. These days, Ms. Mazur has been recording and touring with Norwegian saxophonist Jan Garbarek while also performing with Denmark’s highly esteemed “Copenhagen Art Ensemble” who along with the vocal group “Ars Nova” provide the percussionist with exemplary support on her new solo release titled, Jordsange (Earth Songs).

Per Nørgård - Symphonies 2 & 6 - Oslo Philharmonic Orchestra, John Storgårds (2016) {Dacapo}
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© 2016 Dacapo Records | 6.220645
Classical / Modern Classical / Orchestral / Symphony

“I feel each of my symphonies is a whole continent in itself,” the Danish composer Per Nørgård (b. 1932) has said. His music stems from an insatiable urge to explore the phe no mena of the world and the possibilities of music, and his eight symphonies stand as milestones along the course of six decades. This recording with the Oslo Philharmonic conducted by John Storgårds presents Per Nørgård’s Second Symphony, in which the composer unfolds his famous ‘infinity principle’ euphorically and almost psychedelically, and his Sixth Symphony, in which the mature composer proves more exploratory and playful than ever.

Gunner Møller Pedersen - A Sound Year (2001) {6CD Set, Dacapo 8.224174-79 rec 1977-1982}
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© 1977-82, 2001 Dacapo Records | 8.224174-79
Electroacoustic / Modern Classical / Electronic / Experimental

A year in six hours - or twelve months in electronic music, as its composer calls it. This Wagnerian undertaking by Gunner Moller Pedersen is nothing less than the depiction, in electronic music, month by month, of the passage of a whole year. In practical terms the piece is in quadraphonic sound. Pedersen calls his music "spatial" - multi-channel music with preferably four speakers, utilising reverberation and phasing to intensify the sense of space. Optimum listening conditions are therefore larger spaces - unsurprisingly A Sound Year has been performed in galleries and in concert halls and also shown on films and television.

The string quartets of Danish music's eccentric outsider Rued Langgaard (1893-1952) are passionate works of the composer's youth, representing both his nostalgically romantic side and his profoundly visionary modernity. For the first time on CD, this recording series presents all 9 quartets in the award-winning young Nightingale String Quartet's distinctly dramatic interpretation based on the revised Rued Langgaard Edition.

Medieval Music In Denmark - Musica Ficta, Bo Holten (1999) {Dacapo 8.224133}
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© 1999 Dacapo | 8.224133
Classical / Medieval / Choral / Sacred

The music contained on this recording ranges from the earliest known - regrettably unflattering - mention of Danes in music in the 9th century to Danish songs from the 15th century. It includes 13th century Parisian polyphony found in a remarkable Danish source and Danish versions of songs from the international repertory and thus illustrates both a Danish contribution to European music and the musical contacts that Denmark enjoyed with the rest of Europe in the Middle Ages.

Copenhagen Art Ensemble - Shape Of Twelve - Music by Lotte Anker (1997) {Dacapo DCCD9430}
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© 1997 Dacapo | DCCD9430
Jazz / Modern Jazz / Jazz Sinfonietta / Small Combo

SHAPE OF TWELVE consists of 8 compositions by saxophonist Lotte Anker (who, along with trombonist Ture Larsen, is one of the artistic directors of the Copenhagen Art Ensemble). The works were composed during 1988-1997 and are mostly of medium length (five tracks clock in between 6 and 7 minutes). The Copenhagen Art Ensemble is described in the liner notes as a “’jazz sinfonietta’ – that is, a group of about a dozen musicians combining the complexity of the traditional big band with the mobility of the small combo.” (Jakob Levinsen) This is a very accurate assessment of the music on this disc and is a capsule review in itself. The instrumentation of the Copenhagen Art Ensemble is essentially 3 trumpets, 4 saxophones, 3 trombones, piano (acoustic and electric), acoustic bass, and drums (with the winds players doubling on flugelhorn, clarinet, flute, and tuba).

Copenhagen Art Ensemble - Angels' Share (2000) {Dacapo DCCD 9452}
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© 2000 Dacapo | DCCD 9452
Jazz / Modern Jazz / Jazz Sinfonietta / Small Combo

The folks who comprise the “Copenhagen Art Ensemble” are among the top modern jazz players in Denmark these days. And while many of the members veer off into splinter groups, such as “The Crossover Ensemble”, “When Granny Sleeps” and others, these musicians consistently turn in above par efforts regardless of the format or genre. With their latest release titled, Angels’ Share the band utilizes a phrase derived from the maturation process of Scotch whiskey, as the music and overall concept is befitting of an unfolding saga that persists within the often enterprising Danish jazz scene.