This CD features Steve Khan in his fusion period during which his guitar tone was usually a bit distorted and he tended to improvise over funky rhythms.This all-star outing features such players as altoist David Sanborn,tenor saxophonist Michael Brecker,trumpeter Randy Brecker and the large rhythm section with the likes of keyboardists Don Grolnick,Bob James and drummer Steve Gadd.
The Top 100 '60s Rock Albums represent the moment when popular music came of age. In the earliest part of the decade, bands were still regularly referencing earlier sounds and themes. By the middle, something powerful and distinct was happening, which is why the latter part of the '60s weighs so heavily on our list. A number of bands evolved alongside fast-emerging trends of blues rock, folk rock, psychedelia and hard rock, adding new complexities to the music even as the songs themselves became more topical. If there's a thread running through the Top 100 '60s Rock Albums and this period of intense change, it has to do with the forward-thinking artists who managed to echo and, in some cases, advance the zeitgeist. Along the way, legends were made.
The Brad Mehldau Trio, featuring Larry Grenadier on bass and Jeff Ballard on drums, returns with Ode, an album of 11 previously unreleased songs composed by Mehldau. The record, which is the first from the trio since 2008’s Live Village Vanguard disc and the first studio trio recording since 2005’s Day Is Done, is out this week in the UK and this coming Tuesday in North America. Many of the songs on the new album were written as tributes, or “odes,” to real and fictional people, such as the late saxophonist Michael Brecker (“M.B.”), a character from the film Easy Rider (“Wyatt’s Eulogy for George Hanson”), and the guitarist Kurt Ronsenwinkel (“Kurt Vibe”).
Following the critical acclaim and enthusiastic response to Heavy Sugar: The Pure Essence of New Orleans R&B, compiler Stuart Colman has dug deep into the city’s unique recording legacy to bring about a sumptuous second helping. In addition to the requisite sourcings, the net has been cast wider still in order to focus on material gleaned from such picayune outlets as Rustone, Pontchartrain, Athens, Winner and Spinett. There is a very good reason for this.
WHO TOOK JOHNNY is an examination into an infamous thirty-year-old cold case: the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on the heartbreaking story of Johnny's mother, Noreen, and her relentless quest for the truth about what happened on the tragic September morning in Des Moines when Johnny never returned from his paper route.