Three simple words define gorgeous close harmonies, impeccable fashion sense and trailblazing re-workings of pop and classic songs… The Puppini Sisters! Often copied, never equalled, this truly original trio, founded in 2004 by Marcella Puppini and featuring Kate Mullins and Emma Smith, seamlessly blend elegance and sophistication with a touch of retro and turn it into a must have lifestyle. The Pasadena Roof Orchestra (PRO) is a contemporary band from England that specialises in the jazz and swing genres of music of the 1920s and 1930s, although their full repertoire is considerably wider. For over forty years the Pasadena Roof Orchestra has delighted audiences all over the world with its mix of swing and hot dance music.
The seventh of RKO's Fred Astaire–Ginger Rogers musicals, Shall We Dance casts Astaire as a world-renowned ballet dancer and Rogers as a musical comedy headliner. Rogers' manager Jerome Cowan concocts a phony romance between his client and Astaire in order to garner publicity for them both. Eventually, of course, the twosome falls in love for real, but not before a cornucopia of confusion, complications and misunderstandings. Highlights include a number performed on roller skates and Astaire's dance solo in the art-deco boiler room of an ocean liner. The George and Ira Gershwin score (their last for Astaire and Rogers) includes "Slap That Bass," "Beginner's Luck," "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take That Away From Me," and the title number.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).